On December 15, 2000, the song "Baal Kand" was released by Vipin Sachdeva. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Baal Kand and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Baal Kand is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baal Kand by Vipin Sachdeva is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhikan Ji Swami Abhinav | Kamal Sethia | C Major | 9 | 8B | 130 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Sai Tere Haathon Mein | Mohammed Aziz | B Minor | 6 | 10A | 96 BPM | ||
| Mein Brahman Ka | Satpal Dosa, Manpal | B♭ Major | 7 | 6B | 146 BPM | ||
| Sri Rama Raksha Sthotram | Bangalore Sisters, Ajay Warriar, Ramesh Chandra | E Minor | 2 | 9A | 134 BPM | ||
| Utha Utha Sakal Jan | Shivanand Patil | E♭ Major | 8 | 5B | 95 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Om Jai Jai Prathmesha | Shankar Narayan | C Major | 8 | 8B | 94 BPM | ||
| Tum kalyani ho mahamai | Shahnaz Akhtar | B Minor | 9 | 10A | 127 BPM | ||
| Mandir Mein Rehte Ho Bhagwan | Acharya Mridul Krishna Goswami | B♭ Major | 4 | 6B | 94 BPM | ||
| Akkalkot Swaminchi Palakhi | Ajit Kadkade | E♭ Major | 5 | 5B | 90 BPM | ||
| Vishnu Suktam | Ramakrishna Math, Swami Sarvagananda | G Major | 3 | 9B | 108 BPM | ||
| Shri Datta Stuti - Anusuya Atri Sukumara | Sagar Lele | C Major | 7 | 8B | 90 BPM | ||
| Namaskar Mantra Yaa Devi Sarva Bhuteshu | Ram Shankar | B♭ Major | 3 | 6B | 94 BPM | ||
| Tune Khoob Racha Bhagwan | Bhakti Priya | D♭ Major | 9 | 3B | 75 BPM | ||
| Maa Shok Dukh Nivarini | Kumaar Sanjeev | A Major | 8 | 11B | 82 BPM | ||
| Duttaguru Avatar | Swapnil Bandodkar, Madhuri Karmarkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Kaise Aau Re Kishan | Rajesh Goswami | C Major | 7 | 8B | 120 BPM | ||
| Chota Sa Mandir Banayenge | Manish Tiwari | A Minor | 2 | 8A | 88 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Sukhi Base Sansar Sab | Shradhey Ajay Bhai Ji | E Major | 6 | 12B | 130 BPM | ||
| Prabhu Patit Pavan | Ravindra Jain | E Major | 6 | 12B | 108 BPM | ||
| Palkhi Nighali Ti Payi Payi | Sacchidanand Appa | F Minor | 7 | 4A | 143 BPM |