Pierre de la Rue, Stratton Bull, Cappella Pratensis's 'Requiem: Offertorium: Domine Jesu Christe' had a release date set for January 13, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Ockeghem, De la Rue: Requiem". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Requiem: Offertorium: Domine Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Offertorium: Domine Jesu Christe by Pierre de la Rue, Stratton Bull, Cappella Pratensis having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Plorer, gemir / Requiem | Pierre de la Rue, Dorothee Mields, Boreas Quartett Bremen | A♭ Major | 0 | 4B | 70 BPM | ||
| Procedentem sponsum | Anonymous, Jan Garbarek, The Hilliard Ensemble | D Minor | 1 | 7A | 172 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 6, The Inexpressible Miracle | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 74 BPM | ||
| Viderunt omnes: ...Salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 80 BPM | ||
| Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
| The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Missa "l'Homme armé": V. Agnus Dei | Pierre de la Rue, Ensemble Clément Janequin, Dominique Visse | B Major | 1 | 1B | 180 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Nivers: A solis ortus cardine | Guillaume-Gabriel Nivers, Jean Rondeau, Anaïs Bertrand, Clotilde Cantau, Cécile Dalmon | D♭ Major | 1 | 3B | 134 BPM | ||
| Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
| Requiem: Tractus: Sicut cervus | Pierre de la Rue, Stratton Bull, Cappella Pratensis | B Major | 0 | 1B | 111 BPM | ||
| Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 124 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| [Suite en sol majeur]: VI. Sarabande grave (99) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 2 | 1A | 85 BPM | ||
| Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM |