- BPM
- 141
- Key
- G Major
- Camelot
- 9B
3 Roses: No. 2, To a White Rose by Florence Beatrice Price, Michael Clark Song Details
"3 Roses: No. 2, To a White Rose" by Florence Beatrice Price, Michael Clark had its release date on February 9, 2024. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 3 Roses: No. 2, To a White Rose's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Price: Waltzes & Character Pieces". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, 3 Roses: No. 2, To a White Rose's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 3 Roses: No. 2, To a White Rose by Florence Beatrice Price, Michael Clark having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -26.018 dB
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 6%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Quintet in A Minor: III. Juba. Allegro | Florence Beatrice Price, Takács Quartet, Marc-André Hamelin | F Major | 1 | 7B | 104 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | |
 | Song without Words, Op. 109 | Felix Mendelssohn, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | |
 | Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | |
 | Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) | Franz Liszt, Isata Kanneh-Mason | D♭ Major | 2 | 3B | 74 BPM | |
 | The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | |
 | Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | |
 | Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | |
 | Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM | |
 | Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser) | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | |
 | Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | |
 | Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | |
 | Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | |
 | Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | |
 | Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | |
 | Piano Concerto in One Movement: Adagio cantabile | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Major | 0 | 10B | 77 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | |
 | Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 0 | 11A | 147 BPM | |
 | Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
- ISRC
- USPMZ2419116
- Label
- L-M Records/RCA Records