Ramesh Chandra's 'Arunodaya Sankasham' had a release date set for June 11, 2020. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Arunodaya Sankasham's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ramesh Chandra's "Makarajyothi Sri Ayyappa" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Arunodaya Sankasham is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arunodaya Sankasham by Ramesh Chandra to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amma Dharma | Rajesh | B Minor | 5 | 10A | 86 BPM | ||
| Maadeshwara | Ramesh Chandra | F Major | 4 | 7B | 104 BPM | ||
| Datthathreyuni | M. M. Keeravani, Sonu Nigam, Teesha Nigam | A Major | 6 | 11B | 80 BPM | ||
| Yelu Shiva Male - Male Vocals | Hamsalekha, S. P. Balasubrahmanyam | F♯ Major | 4 | 2B | 134 BPM | ||
| Eppathelu Maleya | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | F♯ Minor | 6 | 11A | 122 BPM | ||
| Aadi Sesha | Parupalli Ranganath | G Minor | 4 | 6A | 136 BPM | ||
| Kogilege Haadu Antha | Ramesh Chandra, Akbar Y.E | A Major | 9 | 11B | 128 BPM | ||
| Yaava Deshada Gandu Ivanu | B.K. Sumitra | D Major | 6 | 10B | 101 BPM | ||
| Yellaru Maduvudu | Dr. Rajkumar, T.G. Lingappa, Kanaka Daasaru | F Minor | 5 | 4A | 156 BPM | ||
| Nandiniya Theeradali | Ramesh Chandra | B Major | 7 | 1B | 155 BPM | ||
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Nambeeda Bhakthara Mane | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | E Major | 6 | 12B | 117 BPM | ||
| Kurubanillada | Dr. Rajkumar | F♯ Minor | 8 | 11A | 95 BPM | ||
| Evale Veena Paani | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Minor | 3 | 4A | 99 BPM | ||
| Bandanene Ranga | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 156 BPM | ||
| Hari Harula Puthrudanta | Narsing Rao | A♭ Major | 7 | 4B | 105 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Kereya Niranu | Purandara Dasara Bhakta Bandugalu | C Major | 5 | 8B | 145 BPM | ||
| Swamy Ayyappa | S. P. Balasubrahmanyam, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Ninna Smarane Nidu | Narasihma Nayak, Ramesh Chandra, Gangotri Rangaswami | G Minor | 7 | 6A | 97 BPM | ||
| )Sri Manjunatha Charithe (Shiva Puraana) | S. P. Balasubrahmanyam, K. S. Chithra | G Major | 6 | 9B | 90 BPM | ||
| Sowbhagya Lakshmi | Vijayalakshmi Sarma, Sindhu | G Minor | 3 | 6A | 154 BPM | ||
| Rama Mantrava Japiso | Vidyabhushana | G Major | 4 | 9B | 79 BPM | ||
| Krishnagaaliya Patadante | P. B. Sreenivas | A Major | 4 | 11B | 205 BPM | ||
| Manava - From "Bhaktha Kumbara" | P. B. Sreenivas | A Minor | 4 | 8A | 81 BPM |