On December 5, 1995, the song "Aadi Sesha" was released by Parupalli Ranganath. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sri Swami Ayyapa Bhajanalu Vol-1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Aadi Sesha's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aadi Sesha by Parupalli Ranganath having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maanikya Veenam - Shyamala Dandakam | Ghantasala | F Minor | 5 | 4A | 107 BPM | ||
| Jagatiki Moolamu | Parupalli Ranganath | G Major | 5 | 9B | 148 BPM | ||
| Hanuman Chalisa - Tlg | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Saranam Saranam | Parupalli Ranganath | A Major | 5 | 11B | 143 BPM | ||
| Narayanithadu | G Balakrishna Prasad | G Major | 5 | 9B | 138 BPM | ||
| Ganapathi Pata | Sri Latha Yadav | A♭ Major | 8 | 4B | 162 BPM | ||
| Ayyappa Ayyappa | Partha Saradhi | A Minor | 5 | 8A | 130 BPM | ||
| Hari Hara Suthude | N. Jayaram | D♭ Major | 6 | 3B | 84 BPM | ||
| Ayya O Ganapayya Swamy Ma Ganapayya | Kapil Madduri | F♯ Minor | 5 | 11A | 188 BPM | ||
| Ayodhya Sri Rama | RG Sarathee, Vinod Babu, Dr. Radhagopee | D Major | 6 | 10B | 86 BPM | ||
| Elli Rama Kirtane | Sri Ganapathy Sachchidananda Swamiji | A♭ Major | 8 | 4B | 145 BPM | ||
| Mahesha Paapa Nasa (From "Swaraanandham") | Sriraman, Anirudh Suswaram, Somayajula Murty | E Major | 8 | 12B | 96 BPM | ||
| Ayya Shivayya | Kaundinya Achutuni | F Major | 7 | 7B | 145 BPM | ||
| Konda Gattu Guttameeda | A. Ramadevi | A♭ Minor | 8 | 1A | 105 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Neemaala Dharanamayya Swamy Ayyappa | Jangi Reddy | F♯ Minor | 9 | 11A | 104 BPM | ||
| Lankalo Seethamma | Akunuri Devayya | E Minor | 5 | 9A | 150 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Sri Vignesa Nee Ganaleelalu | Ramu | F Major | 5 | 7B | 79 BPM | ||
| Sri Lalitha Prathah Sharanam | Padmaja Srinivas | D♭ Major | 9 | 3B | 131 BPM | ||
| Adhiyu Anaadiyu Neeve | M. Balamuralikrishna | F♯ Major | 8 | 2B | 83 BPM | ||
| Thagunayya Hari Neeku | Priya Sisters | A♭ Major | 7 | 4B | 87 BPM | ||
| Thurupamma Mudda | Mano | D♭ Major | 7 | 3B | 80 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Shuklam Baradharam | Gangaputra Narsing Rao | A♭ Major | 5 | 4B | 87 BPM |