James Robinson's ' "When You'll Be Mine" was released on its scheduled release date, September 17, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in James Robinson's "Guilty" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, When You'll Be Mine is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of When You'll Be Mine by James Robinson to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Some Kind of Miracle | Puff Johnson | A Major | 5 | 11B | 110 BPM | ||
| White Hot Center (feat. James Robinson) | David Young, James Robinson | B♭ Major | 4 | 6B | 120 BPM | ||
| I Adore You | Rodney Mannsfield | F Major | 5 | 7B | 140 BPM | ||
| When You Call On Me (Baby That's When I Come Runnin') | Luther Vandross | A♭ Major | 4 | 4B | 104 BPM | ||
| Round and Round | Glenn Jones | A Minor | 5 | 8A | 126 BPM | ||
| String Quartet No. 13, Op. 136: III. Sun in Me. Con luminosità costante | David Matthews, Rebecca Lea, Jess Dandy, James Robinson, Will Dawes, Kreutzer Quartet | C Major | 0 | 8B | 64 BPM | ||
| Separate Ways | Mary Davis | F♯ Major | 5 | 2B | 75 BPM | ||
| Overnight Success | Anita Pointer | G Minor | 6 | 6A | 104 BPM | ||
| Where Do We Go From Here? | Cherrelle | D♭ Major | 5 | 3B | 144 BPM | ||
| Forever More | Puff Johnson | B Major | 6 | 1B | 153 BPM | ||
| The Rest Of The Night | Natalie Cole | A♭ Major | 6 | 4B | 156 BPM | ||
| I'm A Hustler | Carl Sims | C Major | 8 | 8B | 188 BPM | ||
| Special (Featuring Bridgette Bryant) | Gary Taylor | D♭ Major | 5 | 3B | 132 BPM | ||
| Wait A Minute | Magic Lady | F Minor | 9 | 4A | 181 BPM | ||
| Mrs Red Hot | Jackie Simons, James Robinson | C Major | 5 | 8B | 156 BPM | ||
| Sensitive Heart | Angela Winbush | D♭ Minor | 6 | 12A | 82 BPM | ||
| True Love Never Fails | Jonathan Butler | F♯ Major | 4 | 2B | 146 BPM | ||
| Reservations for Two (with Kashif) | Dionne Warwick, Kashif | E♭ Major | 4 | 5B | 131 BPM | ||
| Before The Blessing | D-Ray Maxwell | F Minor | 7 | 4A | 149 BPM | ||
| Breathless | Demetrius Perry | D♭ Minor | 6 | 12A | 148 BPM | ||
| Nobody Else | Rodney Mannsfield | F Major | 6 | 7B | 94 BPM | ||
| Love High | Jeff Redd | A♭ Major | 7 | 4B | 113 BPM | ||
| This Ring (Is For U) | Dezi Phillips | E♭ Major | 5 | 5B | 138 BPM | ||
| I'll Find You | Michelle Gayle | F♯ Minor | 6 | 11A | 201 BPM | ||
| If It Don't Mean Nothing | James Robinson | D♭ Major | 5 | 3B | 86 BPM |