"Leaving Now" by Belle Chen had its release date on November 27, 2020. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Belle Chen's "Late Night Sessions: At Home" album is number 4 out of 6. In terms of popularity, Leaving Now is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Leaving Now by Belle Chen to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Just Wanted To Tell You | Belle Chen | E♭ Major | 1 | 5B | 118 BPM | ||
| Jeunes Filles Au Jardin | Federico Mompou, Belle Chen | E♭ Major | 0 | 5B | 69 BPM | ||
| A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
| Hujan | Wilson Trouvé | A Major | 1 | 11B | 175 BPM | ||
| 3 Piano Pieces, Op. 54: No. 1, Regndroppar | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| In Paradisum | Gabriel Fauré, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| XEO | Martin Kohlstedt | C Minor | 1 | 5A | 104 BPM | ||
| Gnossienne No. 5 | Erik Satie, Reinbert de Leeuw | E Minor | 0 | 9A | 94 BPM | ||
| Words and Dreams | Viktor Orri Árnason, Álfheiður Erla Guðmundsdóttir | D♭ Major | 0 | 3B | 58 BPM | ||
| La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
| 13 Preludes, Op. 32: No. 5 in G Major: Moderato | Sergei Rachmaninoff, Boris Giltburg | G Major | 0 | 9B | 66 BPM | ||
| Last Lamp On | Omar Diop | E♭ Major | 0 | 5B | 144 BPM | ||
| Hora Staccato | Grigoras Dinicu, Jascha Heifetz, Eddie I-Hung Yeh, Belle Chen | C Major | 2 | 8B | 128 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Armellodie | Chilly Gonzales, Olga Scheps | D Major | 0 | 10B | 72 BPM | ||
| 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Alena Cherny | D Minor | 0 | 7A | 64 BPM | ||
| 6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | N/A | N/A | N/A | 0 BPM | ||
| Reflection | Víkingur Ólafsson | D♭ Major | 0 | 3B | 106 BPM | ||
| Labyrinter | Olovson | D Minor | 0 | 7A | 129 BPM | ||
| Two Weeks in July | Franz Gordon | D Minor | 1 | 7A | 73 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Threads Of Grey Velvet | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 63 BPM |