"Epithalamion" by Luna Pearl Woolf, Eileen Clark, Matt Haimovitz had its release date on April 4, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Various: Lemons Descending by Eileen Clark, Matt Haimovitz. The song's track number on the album is #13 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Epithalamion's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Epithalamion by Luna Pearl Woolf, Eileen Clark, Matt Haimovitz has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Epithalamion being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Brunch in the Park | Piwi | C Major | 0 | 8B | 112 BPM | ||
| Drift | Luzima | A Major | 1 | 11B | 112 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | A Minor | 0 | 8A | 61 BPM | ||
| Hildegard, Act I: Scene 11: in this dirt, this soil (Hildegard) | Sarah Kirkland Snider, Nola Richardson, Kazem Abdullah | F Minor | 2 | 4A | 81 BPM | ||
| Lunar Circle | Luna Mystic | E Minor | 4 | 9A | 102 BPM | ||
| Misa Tango: III. Credo | MartÍn Palmeri, Astoria, Philippe Gérard | E Major | 5 | 12B | 131 BPM | ||
| Tema 'Sacher' (1976) | Benjamin Britten, Steven Isserlis | C Major | 1 | 8B | 58 BPM | ||
| Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 76 BPM | ||
| All Men Lie | Hollers Gang | D♭ Minor | 0 | 12A | 67 BPM | ||
| Orpheus On Sappho's Shore/orphee Sur Le Rivage De Sappho Part Iia | Luna Pearl Woolf, Matt Haimovitz | F Major | 1 | 7B | 150 BPM | ||
| Crumbling Dreams | Orithia | F Minor | 4 | 4A | 147 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Misa Tango: II. Gloria | MartÍn Palmeri, Astoria, Philippe Gérard | C Major | 7 | 8B | 115 BPM | ||
| Jacqueline, Part IV Impact: Ode | Luna Pearl Woolf, Matt Haimovitz | G Major | 0 | 9B | 133 BPM | ||
| Hibernacle | Viviane Audet, Robin-Joël Cool, Alexis Martin | C Minor | 1 | 5A | 80 BPM | ||
| Sickness & Health | Spiritual Unfoldment with John Butler | F♯ Major | 1 | 2B | 86 BPM | ||
| We Give You Praise | Sambach | E♭ Major | 2 | 5B | 129 BPM | ||
| Eir's Solitude | Jeremy Soule | A Minor | 0 | 8A | 61 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| Tiapa | Tarkovsky Quartet, François Couturier | F♯ Minor | 0 | 11A | 142 BPM | ||
| Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret) | Jules Massenet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Satyagraha: Act III: Evening Song | Philip Glass, Christopher Keene, New York City Opera Orchestra | A Minor | 1 | 8A | 118 BPM | ||
| The Path | Akira Kosemura, 井口 寛 | A Minor | 0 | 8A | 61 BPM | ||
| Après moi, le déluge: III. Gone away and left us, Lord. | Luna Pearl Woolf, Matt Haimovitz, Choir of Trinity Wall Street, Julian Wachner | C Major | 3 | 8B | 102 BPM |