"Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate" by David Masklanka, David Maslanka, Iridium Quartet, Stephen K. Steele had its release date on October 1, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Nolen, Iridum Quartet, Illinois State University Wind Symphony, Stephen K. Steele's "Maslanka/Magnuson: Saxophone Concertos" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate by David Masklanka, David Maslanka, Iridium Quartet, Stephen K. Steele to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eine Alpensinfonie, Op. 64, TrV 233: XX. Sonnenuntergang | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | E♭ Major | 1 | 5B | 105 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
| Wine-Dark Sea: III. The Attentions of Souls | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 4 | 6B | 124 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Zuiderzee-ballade | The Royal Wind Music | D♭ Major | 2 | 3B | 133 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Petrouchka: Chez le maure / Danse de la ballerine | Ferenc Fricsay, Berliner Philharmoniker | F Major | 1 | 7B | 96 BPM | ||
| Symphony No. 3: If. Immer dasselbe Tempo. Marsch. Nicht eilen - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | E♭ Minor | 3 | 2A | 125 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Urban Glow | Lumi Risto | A♭ Major | 2 | 4B | 101 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Relâche, Pt. 2: No. 11, La queue du chien (chanson mimée) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
| Sof'ya Perovskaya, Op. 132: VII. (Village) | Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov | A Minor | 1 | 8A | 66 BPM | ||
| Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
| El Olimpo de los Dioses: IV. Poseidon | Oscar Navarro, N/A, Royal Symphonic Band of the Belgian Guides, Yves Segers | C Major | 1 | 8B | 127 BPM | ||
| Concerto for Saxophone Quartet and Wind Ensemble: II. Moderate | David Masklanka, David Maslanka, Iridium Quartet, Stephen K. Steele | B Minor | 1 | 10A | 79 BPM | ||
| El Olimpo de los Dioses: III. Hades | Oscar Navarro, N/A, Royal Symphonic Band of the Belgian Guides, Yves Segers | C Minor | 1 | 5A | 76 BPM | ||
| Concert3:A World Apart | 祖堅 正慶 | D Major | 7 | 10B | 82 BPM | ||
| Courtly Airs and Dances: V. Sarabande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | A Minor | 2 | 8A | 154 BPM | ||
| Dawn | Daniel Duque | A♭ Major | 2 | 4B | 101 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | A♭ Major | 2 | 4B | 101 BPM | ||
| Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent | Richard Strauss, André Previn, Philadelphia Orchestra | E♭ Major | 2 | 5B | 129 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM |