Fred Frith, Henry Kaiser's ' "Objects Everyday" was released on its scheduled release date, January 1, 1987. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of With Enemies Like These, Who Needs Friends? by Fred Frith, Henry Kaiser. The song's track number on the album is #11 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Objects Everyday is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Objects Everyday by Fred Frith, Henry Kaiser has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Objects Everyday being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pussywhistle Tea | CS + Kreme | D Minor | 2 | 7A | 83 BPM | ||
| Bass Intuition | Bradford Reed | A Minor | 7 | 8A | 120 BPM | ||
| Liquidgeniuswate | Marina Frescobaldi | D Major | 2 | 10B | 160 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Anemometer | Bitchin Bajas, Natural Information Society | F Minor | 7 | 4A | 129 BPM | ||
| William Walking | Daniel Blumberg | A Minor | 7 | 8A | 120 BPM | ||
| Objects Everyday | Fred Frith, Henry Kaiser | E Major | 4 | 12B | 100 BPM | ||
| Hai Sai Oji-San | French, Kaiser, Marko Perković Thompson, Frith, Fred Frith, John French, Richard Thompson, Henry Kaiser | E Major | 6 | 12B | 114 BPM | ||
| Nyems | Meredith Monk, Ellen Fisher, Katie Geissinger, Allison Sniffin, Joanna Lynn-Jacobs | B♭ Minor | 1 | 3A | 73 BPM | ||
| Amorphous Membranes | Joachim Badenhorst | E♭ Major | 3 | 5B | 79 BPM | ||
| Empire of Money | Shaan Rhythm | D Major | 3 | 10B | 144 BPM | ||
| What Is Not Strange? | Tashi Wada, Julia Holter | A Minor | 1 | 8A | 113 BPM | ||
| We Build | Mark Dresser, Fred Frith, Ikue Mori | G Major | 4 | 9B | 94 BPM | ||
| Jungle | Lavinia Concia | B♭ Minor | 0 | 3A | 180 BPM | ||
| A Safe and Certain Death | Sissi Rada | E♭ Minor | 1 | 2A | 78 BPM | ||
| Everybody's Somebody's Nobody | Fred Frith, Darren Johnston | A Minor | 2 | 8A | 72 BPM | ||
| Its Been a While | Johanna Borchert, Fred Frith, Shazad Ismaily, Julian Sartorius | F♯ Minor | 1 | 11A | 100 BPM | ||
| Schlechte Gewissen | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Lobster Claw Symphonette 1. | Marc Ribot, Fred Frith | A Major | 3 | 11B | 83 BPM | ||
| Concentrated Merry-Go-Round | Ellen Fullman, The Living Earth Show | D Minor | 3 | 7A | 182 BPM | ||
| Latego Rhodes - Alternate Take | ZylyP | G Major | 2 | 9B | 95 BPM | ||
| Elegy For An Angel | Lindsay Cooper, Fred Frith, Gianni Gebbia, Lars Hollmer | B Minor | 0 | 10A | 78 BPM | ||
| Aisling at Sea | Fohn | G Major | 2 | 9B | 129 BPM | ||
| Dancing In The Street | Fred Frith | B Minor | 9 | 10A | 128 BPM | ||
| The lavacast landscapes resembled mountains and pyramids but took all the many different shapes of the spawn | Babau | F♯ Major | 7 | 2B | 153 BPM |