"Антракт, "Кармен"" by Бизе Жорж, Симфонический оркестр радио "Орфей" had its release date on February 9, 2015. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Антракт, "Кармен"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Антракт, "Кармен"" is a single. Антракт, "Кармен" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Антракт, "Кармен" by Бизе Жорж, Симфонический оркестр радио "Орфей" is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carnival of the Animals: Aquarium | Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy | A Minor | 0 | 8A | 70 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
| Blue Night | Vasiliy Agapkin, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | A Major | 0 | 11B | 75 BPM | ||
| Nr. 3, Pizzicato | Léo Delibes, Slovak Radio Symphony Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 161 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Waltzes, Op. 64, B. 164: No. 1 in D-Flat Major "Minute Waltz" | Frédéric Chopin, Vittorio Forte | G Minor | 0 | 6A | 77 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 128 BPM | ||
| Waltz No. 19 in A Minor, B. 150 | Frédéric Chopin, Vittorio Forte | A Minor | 1 | 8A | 74 BPM | ||
| Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM | ||
| La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 2 | 8B | 135 BPM | ||
| Csárdás | Vittorio Monti, Alexander Boldachev, Alexander Kuznetsov | D Major | 3 | 10B | 169 BPM | ||
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
| The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Johann Sebastian Bach, Katya Kramer-Lapin | C Major | 0 | 8B | 75 BPM | ||
| Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
| Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
| Grieg: In the Hall of the Mountain King from Peer Gynt - From "Peer Gynt, Suite No. 1, Op. 46" | Erich Kunzel, Cincinnati Pops Orchestra | G Major | 1 | 9B | 109 BPM | ||
| Carmen suite. Prelude | Бизе Жорж, Виртуозы Москвы п/у В. Спивакова | A Major | 5 | 11B | 159 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Симфония №5 до минор, Op. 67: I. Allegro con brio | Бетховен Людвиг ван, Симфонический оркестр РГМЦ | C Minor | 2 | 5A | 84 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Orquesta Reino de Aragón, Ricardo Casero | E Minor | 3 | 9A | 89 BPM | ||
| Tocatta and Fugue in D Minor | Johann Sebastian Bach, The University of Illinois Symphonic Band, Dr. Harry Begian | D Minor | 1 | 7A | 82 BPM | ||
| Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | C Major | 4 | 8B | 104 BPM |