On October 25, 2019, the song "A Dead Body" was released by Nicholas Carras. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "She Demons". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. The popularity of A Dead Body is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With A Dead Body by Nicholas Carras having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gerry's Letter | Anne Nikitin | F Minor | 3 | 4A | 84 BPM | ||
| 真室川音頭(山形県民謡) | レオン・ポップス | D♭ Major | 3 | 3B | 112 BPM | ||
| Harlem Nocturne (09-13-45) | Johnny Otis | G Minor | 3 | 6A | 78 BPM | ||
| Bajo Tierra (Under the Earth) | Alejandro Jodorowsky | E Minor | 4 | 9A | 101 BPM | ||
| Main Title | Jerry Goldsmith | A♭ Major | 0 | 4B | 120 BPM | ||
| Suite - From "Brazil" | David Newman, Varèse Sarabande Symphony Orchestra, Dan Higgins | E Minor | 2 | 9A | 73 BPM | ||
| Mexican Samba Live | Piero Piccioni | F Minor | 3 | 4A | 84 BPM | ||
| Touch of Norma (feat. The Swingles & Tomy Temerson) | Jeff Toyne, The Swingles, Tomy Temerson | F Minor | 3 | 4A | 84 BPM | ||
| Heavy Action | Johnny Pearson | C Major | 5 | 8B | 128 BPM | ||
| Cadillac | Combustible Edison | D Minor | 4 | 7A | 108 BPM | ||
| Not Bad / He Dies | Stu Phillips | G Minor | 1 | 6A | 94 BPM | ||
| Rito a Los Angeles | Peppino De Luca | D Minor | 4 | 7A | 134 BPM | ||
| Trolling - 50th Anniversary / Remastered 2025 | Jack Nitzsche | C Major | 1 | 8B | 82 BPM | ||
| Final | David McCallum | F Major | 6 | 7B | 109 BPM | ||
| Prison of Opulence | Joel P West | F Minor | 3 | 4A | 84 BPM | ||
| I've Been Played | David Holmes | B Major | 0 | 1B | 134 BPM | ||
| London Hilton | Carnaby Street Pop Orchestra | G Major | 6 | 9B | 122 BPM | ||
| Bebop Sets | Trapper Fade | F Minor | 3 | 4A | 84 BPM | ||
| Midnight Serenade | David Lindup | E♭ Major | 1 | 5B | 71 BPM | ||
| Farewell / The Tower (From "Vertigo”, 1958 Film Score) | Muir Mathieson, London Symphony Orchestra | D Minor | 1 | 7A | 128 BPM | ||
| Pretty Boy | Stepped Up Station | A Major | 4 | 11B | 130 BPM | ||
| Modern Blues - The Color Of Money/Soundtrack Version | Robbie Robertson, Gil Evans | G Major | 5 | 9B | 104 BPM | ||
| Le cercle rouge | Eric Demarsan | D Minor | 4 | 7A | 119 BPM | ||
| The Ancient Galleon | Les Baxter | F Major | 2 | 7B | 106 BPM | ||
| The Last Race (From "Death Proof") | Jack Nitzsche | D♭ Major | 9 | 3B | 73 BPM |