Omar Mollo's 'Alma Mía' had a release date set for January 1, 2012. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Alma Mía's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 13 in Barrio Sur by Omar Mollo. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Alma Mía's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Alma Mía by Omar Mollo is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Por qué razón | Siempre Tango | F Minor | 3 | 4A | 132 BPM | ||
| Nada | Mil Hormigas, Omar Mollo | G Major | 3 | 9B | 164 BPM | ||
| El Cielo y Tu | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Que bien te queda | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 124 BPM | ||
| Quejas de bandoneon | Orquesta Juan D' Arienzo | D Minor | 4 | 7A | 128 BPM | ||
| Por que regresas tú | Orquesta Carlos di Sarli, Roberto Florio | A Major | 3 | 11B | 170 BPM | ||
| Tango Azul | Edgardo Acuña | D Major | 4 | 10B | 95 BPM | ||
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM | ||
| Caricias | Tango Bardo, Cucuza Castiello | A Minor | 4 | 8A | 119 BPM | ||
| Como dos Extraños | Omar Mollo, El Cuarteto Tipico Catenacho | F Major | 3 | 7B | 112 BPM | ||
| Los Cosos de al lao | Carel Kraayenhof, Sexteto Canyengue, Omar Mollo | G Minor | 0 | 6A | 83 BPM | ||
| La Cumparsita | Pablo Ramos & los Herederos del Compás | G Minor | 3 | 6A | 132 BPM | ||
| Tinta Roja | La Chicana | E Major | 2 | 12B | 108 BPM | ||
| Adiós nonino | Esteban Morgado | E Minor | 3 | 9A | 129 BPM | ||
| Último Suspiro en Re Mayor | TITANES RM | A Minor | 4 | 8A | 109 BPM | ||
| El esquinazo | Orquesta Juan D' Arienzo | C Major | 8 | 8B | 110 BPM | ||
| Anclao en París | Sandra Luna, Juan Esteban Cuacci | D Minor | 4 | 7A | 135 BPM | ||
| El Último Café | Rosanna Falasca | G Major | 1 | 9B | 92 BPM | ||
| No Mientas | Pablo Valle Sexteto | G Minor | 3 | 6A | 137 BPM | ||
| Nunca Tuvo Novio | Rita Cortese | F Major | 3 | 7B | 105 BPM | ||
| Re Fa Si | La Juan D'Arienzo | A Major | 3 | 11B | 129 BPM | ||
| Esta noche me emborracho | Enrique Santos Discépolo | A Major | 5 | 11B | 128 BPM | ||
| Gricel | Spinettango | D Minor | 3 | 7A | 104 BPM | ||
| Esta noche de luna | Orquesta Carlos di Sarli, Roberto Rufino | C Major | 3 | 8B | 129 BPM | ||
| Milonga del Adiós en Re menor | JEIRI SONJ | A Minor | 4 | 8A | 109 BPM |