Ravindra Jain's ' "Sampurana Ramayan, Pt. 10 - Balkand" was released on its scheduled release date, January 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Sampurana Ramayan (Balkand)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, Sampurana Ramayan, Pt. 10 - Balkand is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sampurana Ramayan, Pt. 10 - Balkand by Ravindra Jain having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Maaya Ka | Ravindra Jain | A♭ Major | 6 | 4B | 89 BPM | ||
| Sanwariya Khinche Dor | Udit Narayan | C Minor | 6 | 5A | 94 BPM | ||
| Albeli Swamini Radha | Bhaiya Kishan Das | D♭ Minor | 7 | 12A | 78 BPM | ||
| Mithe Ras Se Bhari | JSR Madhukar | C Major | 7 | 8B | 99 BPM | ||
| Bolo Raghupati Raghav Raja Ram | Chetna, Rakesh Kala | D Major | 7 | 10B | 95 BPM | ||
| Kaise Jiyu Mein Radha Rani Tere Bina | Poonam Didi | F♯ Major | 8 | 2B | 115 BPM | ||
| Ye Jug Mohani | Dukalu Yadav | G Major | 8 | 9B | 84 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Jeevan Saara Bita Jaye | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 144 BPM | ||
| Jo Barbaad Hogi | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Mera Bajarang Sote Wala | Manish Tiwari | D♭ Major | 5 | 3B | 93 BPM | ||
| Shyam Ardas | Avinash Karn | E Major | 8 | 12B | 98 BPM | ||
| Ghunghat Ra Bairy Ho Gaye Bundeli Deshi Rai Khyal | Raju Patel, Dhaniram Sen | F Minor | 9 | 4A | 122 BPM | ||
| Sabse Bada Hai Tera Naam Bholenath Bholenath Bholenath | Asif Jeriya, Damyanti Barot | D♭ Minor | 7 | 12A | 85 BPM | ||
| Chala Sudama Milan Krishna Se Dvarika Dham | Ravindra Jain, Satish Dehra | G Major | 5 | 9B | 122 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Rat Le Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Ram Naam Sukhdai Bhajan Karo Bhai | Rajkumar Vinayak | F♯ Major | 8 | 2B | 89 BPM | ||
| Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Ranubai Ki Duliri | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Inse Bachke Rahiyo Re Superhits Bundeli Rai | Raju Patel, Dhaniram Sen | C Major | 10 | 8B | 126 BPM | ||
| Om Jai Raghuveer Hare | Ravindra Jain, Suhasini Nandgaonkar | G Major | 6 | 9B | 100 BPM | ||
| Ae Shyam Teri Murli | Alka Goyal | A♭ Major | 9 | 4B | 82 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM |