"Abendlied: Bleib bei uns, Op. 69/3" by Josef Rheinberger, Thomas Hengelbrock had its release date on June 1, 2012. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Nachtwache". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Germany. Abendlied: Bleib bei uns, Op. 69/3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendlied: Bleib bei uns, Op. 69/3 by Josef Rheinberger, Thomas Hengelbrock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
| Stemning | Wilhelm Peterson-Berger, J.P. Jacobsen, Søren Birch | C Minor | 1 | 5A | 129 BPM | ||
| In einem kuhlen Grunde | Friedrich Gluck, Leipzig Radio Chorus, male section, Jörg-Peter Weigle | E♭ Major | 1 | 5B | 67 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D♭ Major | 1 | 3B | 134 BPM | ||
| Ave Maria | Sjaella | B♭ Minor | 1 | 3A | 127 BPM | ||
| Messe brève No. 7: II. Gloria | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
| Locus Iste | Paul Mealor, VOCES8 | E♭ Major | 0 | 5B | 127 BPM | ||
| Confitemini Domino | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | G Major | 1 | 9B | 110 BPM | ||
| Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
| Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
| Loreley (Ich weiß nicht, was soll es bedeuten) | Rundfunk-Jugendchor Wernigerode (Männerchor) | D Major | 2 | 10B | 116 BPM | ||
| Abendlied | Josef Rheinberger, Regensburger Domspatzen, Roland Büchner | F Major | 1 | 7B | 74 BPM | ||
| Ich bin der Welt abhanden gekommen | Gustav Mahler, The Norwegian Soloists' Choir | E♭ Major | 0 | 5B | 134 BPM | ||
| Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | ||
| Es kompt ein Schiff geladen | Marcus Gerrariurius, Stimmwerck | D Major | 1 | 10B | 57 BPM | ||
| Die Loreley | Friedrich Silcher, Windsbacher Knabenchor, Ludwig Böhme | E♭ Major | 1 | 5B | 86 BPM | ||
| King Arthur Suite, Z. 628: Passacaglia | Henry Purcell, Thomas Hengelbrock | E Minor | 1 | 9A | 144 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 78 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Abendlied | Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | F Major | 2 | 7B | 79 BPM | ||
| Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM |