"Abendlied" by Josef Rheinberger, Regensburger Domspatzen, Roland Büchner had its release date on July 1, 2019. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Abendlied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Terra Sancta - Gesänge im Heiligen Land". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Abendlied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendlied by Josef Rheinberger, Regensburger Domspatzen, Roland Büchner having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
| Abschied vom Walde, Op. 59/3 | Felix Mendelssohn, Thomas Hengelbrock | E♭ Major | 1 | 5B | 91 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Pater Meus | UNIVERSITY OF JOHANNESBURG CHOIR | B Minor | 1 | 10A | 136 BPM | ||
| Hymnen, Op. 140: V. Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
| Lei mei anzige Liab | LALÁ | A Minor | 7 | 8A | 128 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| Segenslied: Bleib bei uns, Herr | William Henry Monk, David V. Wilcocks, Bach-Chor Siegen, Ulrich Stötzel, Peter Scholl | C Major | 7 | 8B | 108 BPM | ||
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | G Major | 1 | 9B | 90 BPM | ||
| Der Tod Jesu, Pt. 1: Sein Odem ist schwach | Carl Heinrich Graun, Arcis-Vocalisten, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B♭ Minor | 0 | 3A | 109 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Silent Songs: No. 2 Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 0 | 8A | 132 BPM | ||
| Ich bete an die Macht der Liebe | Dmitry Bortniansky, Meistersinger, Die, Klaus Breuninger | C Major | 2 | 8B | 127 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Die Abendruhe | Rolf Kern, Sonat Vox, Motley Brass, Justus Merkel | F♯ Major | 3 | 2B | 90 BPM | ||
| Messa di Gloria for tenor, baritone, chorus & orchestra (op. posthuma), Gloria: Qui tollis peccata mundi | Giacomo Puccini, Michel Corboz, Orquestra Gulbenkian, Coro Gulbenkian | G Major | 1 | 9B | 103 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
| Jesus bleibet meine Freude | Gernot Kahofer, Elke Eckerstorfer | G Major | 1 | 9B | 92 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | A Major | 1 | 11B | 70 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM |