"Back In The Game" by William Ross had its release date on January 1, 2012. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Touchback (Original Motion Picture Soundtrack)". In this album, this song's track order is #25. Based on our statistics, Back In The Game's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Back In The Game by William Ross having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| Eregion | Bear McCreary | A Major | 2 | 11B | 116 BPM | ||
| The Glass Slipper | George Fenton | D Major | 1 | 10B | 140 BPM | ||
| London, 1988 | Jóhann Jóhannsson | G Major | 1 | 9B | 58 BPM | ||
| The House of Gods (Angel Falls) | Jacob Shea | F Major | 2 | 7B | 73 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| She Ignited My Curiosity | Kevin Smuts | F Major | 4 | 7B | 120 BPM | ||
| Train Journey | Stephen Warbeck | E Minor | 1 | 9A | 120 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Romance Suite (From the Motion Picture "Promising Young Woman") | Anthony Willis | E Major | 1 | 12B | 70 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| The Rain At Last | David Schweitzer, Eurielle | C Major | 2 | 8B | 164 BPM | ||
| Lord Of The Isles | BBC Scottish Symphony Orchestra | G Major | 2 | 9B | 135 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Once Upon a Time | William Ross | F Major | 1 | 7B | 125 BPM | ||
| Through the Tree | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 100 BPM | ||
| A King's Sadness | William Ross | C Minor | 0 | 5A | 84 BPM | ||
| Home, I Should Think | Carter Burwell | B♭ Major | 2 | 6B | 98 BPM |