Charlie Musselwhite's ' "Yesterdays" was released on its scheduled release date, February 12, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Ace Of Harps by Charlie Musselwhite. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Yesterdays's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Yesterdays by Charlie Musselwhite is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dolls Are Sleeping | Shemekia Copeland | A♭ Major | 2 | 4B | 168 BPM | ||
| West Helena Blues | Elvin Bishop & Charlie Musselwhite, Elvin Bishop, Charlie Musselwhite | A Major | 6 | 11B | 90 BPM | ||
| Strange Things Happen | Lazy Lester | C Major | 3 | 8B | 81 BPM | ||
| Dark Road | Floyd Jones | G Major | 5 | 9B | 69 BPM | ||
| Leaving Your Town | Charlie Musselwhite | A Major | 8 | 11B | 168 BPM | ||
| Blues All Day Long | The Jimmy Rogers All Stars | B Minor | 6 | 10A | 115 BPM | ||
| Hoodoo Stew | Selwyn Birchwood | B Minor | 9 | 10A | 190 BPM | ||
| Born in Chicago | The Paul Butterfield Blues Band | D Major | 6 | 10B | 76 BPM | ||
| The Ice Queen | Sue Foley | E Minor | 4 | 9A | 151 BPM | ||
| Paper Crown | The EvenTunes | C Major | 2 | 8B | 103 BPM | ||
| I Can't Be Satisfied | Curtis Salgado, Alan Hager | D Major | 6 | 10B | 99 BPM | ||
| Big Woman | A.C. Reed | C Major | 4 | 8B | 109 BPM | ||
| Happy With My French Friends | Hubert Sumlin | C Major | 5 | 8B | 111 BPM | ||
| Tarde sin mapa | Novara | B Minor | 2 | 10A | 200 BPM | ||
| Blues For Yesterday | Elvin Bishop & Charlie Musselwhite, Elvin Bishop, Charlie Musselwhite | G Major | 6 | 9B | 104 BPM | ||
| Mohair Sam - Single Version | Slim Harpo | B♭ Minor | 5 | 3A | 115 BPM | ||
| You Reap What You Sow | Otis Rush, Duane Allman | G Minor | 3 | 6A | 145 BPM | ||
| Heartattack And Vine | John Hammond | G Major | 7 | 9B | 86 BPM | ||
| Back Door Man | Willie Dixon | C Major | 4 | 8B | 110 BPM | ||
| 'Till The Money Runs Out | John Hammond | G Major | 6 | 9B | 120 BPM | ||
| Down Home Blues | James Cotton, Billy Branch, Carey Bell, Junior Wells | G Major | 5 | 9B | 111 BPM | ||
| Get Behind The Mule | John Hammond | C Major | 5 | 8B | 80 BPM | ||
| 3 O'Clock In The Morning Blues | Ike & Tina Turner | C Major | 1 | 8B | 94 BPM | ||
| Black Cat Bone | Albert Collins, Robert Cray, Johnny Copeland | C Major | 8 | 8B | 98 BPM | ||
| Good Morning Schoolgirl | Junior Wells, Buddy Guy | D Major | 1 | 10B | 78 BPM |