"Quimeras" by Ravel had its release date on January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Quimeras". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Portugal. Based on our statistics, Quimeras's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quimeras by Ravel having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | B Minor | 1 | 10A | 85 BPM | ||
| Sonata In D Major For 2 Pianos, K.448: 2. Andante - Live | Wolfgang Amadeus Mozart, Daniel Barenboim, Martha Argerich | G Major | 0 | 9B | 100 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Mensaje | Ignacio Cervantes, Frank Fernández | F♯ Major | 0 | 2B | 73 BPM | ||
| The Man I Love (Arr. Grainger for Piano) | George Gershwin, Piers Lane | F♯ Major | 1 | 2B | 169 BPM | ||
| Dance of the Hours | Ponchielli, Grand Philharmonia Orchestra | C Major | 4 | 8B | 115 BPM | ||
| Sinfonietta, JW VI/18: III. Moderato | Leoš Janáček, Czech Philharmonic, Karel Ančerl | A♭ Minor | 2 | 1A | 138 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Wiener Philharmoniker, Tugan Sokhiev | C Major | 1 | 8B | 89 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Pittsburgh Symphony Orchestra, William Steinberg | D Major | 3 | 10B | 100 BPM | ||
| Adagio For Strings Op. 11 | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Minor | 0 | 3A | 83 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F♯ Minor | 0 | 11A | 91 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Neeme Järvi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 143 BPM | ||
| Grieg: Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato | Edvard Grieg, Leif Ove Andsnes, Mariss Jansons, Berliner Philharmoniker | B♭ Major | 0 | 6B | 174 BPM | ||
| Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 63 BPM | ||
| Suite for Piano and Orchestra: No. 4, Rapid Movement | Alexander Tsfasman, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Major | 5 | 7B | 99 BPM | ||
| Ballade No. 1 in G Minor, Op. 23 | Alfred Cortot | G Minor | 1 | 6A | 74 BPM | ||
| The Seasons, Op. 37a: VI. June. Barcarolle. Andante cantabile | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
| Piano Concerto in A Minor, Op. 7: 3. Allegro non troppo | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 2 | 8A | 113 BPM | ||
| Ave Errante | Ravel | F Major | 6 | 7B | 126 BPM | ||
| Waltz No. 7 in C-sharp Minor, Op. 64 | Frédéric Chopin, Arthur Rubinstein | C Major | 2 | 8B | 138 BPM | ||
| Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | D Minor | 1 | 7A | 131 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | A Major | 2 | 11B | 75 BPM | ||
| Poulenc: Improvisation No. 15, FP 176 "Hommage à Edith Piaf" | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Suite española No. 1, Op. 47: Granada (Serenata) | Isaac Albéniz, Alicia de Larrocha | F Major | 0 | 7B | 63 BPM | ||
| Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Maria João Pires, Michel Corboz, Orquestra Gulbenkian | F Minor | 1 | 4A | 94 BPM |