- BPM
- 83
- Key
- B♭ Minor
- Camelot
- 3A
Adagio For Strings Op. 11 by Samuel Barber, Leonard Slatkin, St. Louis Symphony Song Details
"Adagio For Strings Op. 11" by Samuel Barber, Leonard Slatkin, St. Louis Symphony had its release date on January 1, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Adagio for Strings / 3 Essays for Orchestra by Samuel Barber, Leonard Slatkin, St. Louis Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Adagio For Strings Op. 11 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Adagio For Strings Op. 11 by Samuel Barber, Leonard Slatkin, St. Louis Symphony is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -33.585 dB
- Acousticness
- 83%
- Danceability
- 8%
- Energy
- 1%
- Instrumentalness
- 77%
- Liveness
- 9%
- Loudness
- 44%
- Speechiness
- 6%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | Edvard Grieg, Jean-Yves Thibaudet, Rotterdam Philharmonic Orchestra, Valery Gergiev | F Major | 2 | 7B | 123 BPM | |
 | Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) | Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair | C Major | 1 | 8B | 89 BPM | |
 | 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | |
 | Rodeo: IV. Saturday Night Waltz | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | E♭ Major | 0 | 5B | 93 BPM | |
 | Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 177 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | |
 | A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | |
 | Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Minor | 0 | 6A | 84 BPM | |
 | Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live at CCK, Buenos Aires / 2019 | Ludwig van Beethoven, Daniel Barenboim, West-Eastern Divan Orchestra | E Minor | 1 | 9A | 124 BPM | |
 | El cant dels ocells (Version for Cello & Orchestra) | Pablo Casals, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | D Major | 0 | 10B | 128 BPM | |
 | VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 138 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Introduction and Rondo capriccioso in A minor Op. 28 | Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch | A Minor | 1 | 8A | 94 BPM | |
 | The Unanswered Question - Live | Charles Ives, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 62 BPM | |
 | Adagio for Strings, Op. 11 - Live | Samuel Barber, Keller Quartett | B♭ Minor | 1 | 3A | 93 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: II. Ases død (The Death of Ase) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 59 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | C Minor | 2 | 5A | 166 BPM | |
 | Nocturne No.1 In B Flat Minor, Op.9 No.1 | Frédéric Chopin, Claudio Arrau | D♭ Major | 0 | 3B | 70 BPM | |
 | Facades | Philip Glass, Michael Riesman, Philip Glass Ensemble | B♭ Major | 1 | 6B | 71 BPM | |
 | Madama Butterfly, Act II: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | |
 | Two Pieces For Strings: Passacaglia: The Death Of Falstaff - Edited Performance | London Philharmonic Orchestra, Leonard Slatkin | E Minor | 2 | 9A | 70 BPM | |
 | Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | |
 | The Bells of St. Geneviève | Marin Marais, Guildhall String Ensemble, Robert Salter, Paul Nicholson | A Minor | 1 | 8A | 122 BPM | |
 | Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM |
- ISRC
- USAR28801002
- Label
- L-M Records/RCA Records