Benjamin Soames, Jonathan Keeble, David Timson, Northern Chamber Orchestra, Igor Stravinsky's ' "Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: XVII. Triumphal March Of The Devil" was released on its scheduled release date, January 19, 1999. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: XVII. Triumphal March Of The Devil's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Stravinsky: The Soldier' S Tale/ Dumbarton Oaks". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: XVII. Triumphal March Of The Devil's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: XVII. Triumphal March Of The Devil by Benjamin Soames, Jonathan Keeble, David Timson, Northern Chamber Orchestra, Igor Stravinsky having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teil 7 - Folge 4: Der Zinker | Edgar Wallace - Filmedition, Edgar Wallace, Harald G. Petersson, Heinz Drache, Barbara Rütting, Günther Pfitzmann | D♭ Major | 6 | 3B | 119 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | G Major | 1 | 9B | 77 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Being Present | Spiritual Unfoldment with John Butler | G Major | 1 | 9B | 77 BPM | ||
| Track 3 - The Chimes of Midnight, Pt. 1 | Doctor Who, Robert Shearman, Paul McGann, India Fisher | A Minor | 4 | 8A | 78 BPM | ||
| Victorian London, Pt. 4 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Teil 7 - Folge 48: Ein Dinosaurier für Professor van Dusen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Max Volkert Martens, Helmut Krauss, Gerd Duwner, Herbert Weißbach, Heinz Raabe, Eric Vaessen, Helmut Ahner, Krikor Melikyan, Erwin Schastok, Sibylle Kuhne, Bernd Kummer | D Major | 3 | 10B | 52 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 1 | 9B | 77 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Symphony No. 1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part II: IX. Ragtime | Benjamin Soames, Jonathan Keeble, Northern Chamber Orchestra, David Timson, Igor Stravinsky | G Minor | 3 | 6A | 120 BPM | ||
| The Sonnets*: Sonnet 20: A woman's face with nature's own hand painted | Bertie Carvel, Gunnar Cauthery, Stella Gonet, Alex Jennings, Jonathan Keeble, Anton Lesser, Roy McMillan, Tom Mison, Maxine Peake, Anne-Marie Piazza, Hugh Ross, Benjamin Soames, Juliet Stevenson, David Tennant, David Timson, Trevor White | A♭ Major | 3 | 4B | 137 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Teil 56 - Die Bibel - Das Neue Testament | Die Bibel, Diverse Sprecher, Trad. | F Major | 3 | 7B | 141 BPM | ||
| Fantasía Chalumeau | Gabriel Andrés Gallegos | B♭ Major | 0 | 6B | 80 BPM | ||
| The Rising Sun | Richard Burton | A Minor | 1 | 8A | 61 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| Recognizing Presence Is Here | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM |