G. M. Durrani's ' "Ni Sa Ga Ma Pa" was released on its scheduled release date, January 1, 1950. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Ni Sa Ga Ma Pa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sabak". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. In terms of popularity, Ni Sa Ga Ma Pa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ni Sa Ga Ma Pa by G. M. Durrani having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ja Khushi Ora Bale Boluk | Manna Dey | E Major | 3 | 12B | 103 BPM | ||
| Chand Chhupta Hai - 2 | Shabbir Kumar, Aruna Irani | D♭ Major | 7 | 3B | 117 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Maan Ja O Manini | Rekharani, G. M. Durrani | B♭ Major | 1 | 6B | 72 BPM | ||
| Tum Zid To Kar Rahe | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Shikwa Na Kar Gila Na Kar | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Barsan Lagi Badariya Hay Ram | Rajkumari, G. M. Durrani | B Major | 3 | 1B | 74 BPM | ||
| Man Bahak Raha Hai | Sachin, Sadhana Singh, R. D. Burman | G Major | 3 | 9B | 93 BPM | ||
| Mone Rabe Ki Na Rabe Amare | Hemant Kumar | C Major | 3 | 8B | 135 BPM | ||
| Chokhete Shawan Gaye | Sapan Jagmohan, Kishore Kumar | D♭ Major | 5 | 3B | 134 BPM | ||
| Chalen Prem Ke Desh Pujari | Rajkumari, G. M. Durrani | B♭ Major | 3 | 6B | 107 BPM | ||
| Bole Man Ki Maina | Amir Bai, G. M. Durrani, Pt. B. C. Madhur, Pt. Madhur | F Minor | 3 | 4A | 64 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Tadapna Aur Chup Rahna | G. M. Durrani | C Major | 2 | 8B | 72 BPM | ||
| Naina Re Dekho | Khurshid, Rajkumari | B Major | 2 | 1B | 170 BPM | ||
| Laila Majnu Do Badan Ek Jaan The | Rajkumar Rizvi, Anuradha Paudwal, Preeti Sagar | F Major | 5 | 7B | 151 BPM | ||
| Ni Sa Ga Ma Pa | G. M. Durrani | E Major | 3 | 12B | 103 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Meri Chalti Phirti Phoolwari | Maya Banerjee, Satish | A♭ Major | 9 | 4B | 160 BPM | ||
| Goria Ho Goria | Vani Jairam, K. J. Yesudas | F♯ Minor | 6 | 11A | 104 BPM | ||
| Kahta Hai Dil Tum Ho Mere Liye | Talat Mahmood, Asha Bhosle | F♯ Major | 3 | 2B | 177 BPM | ||
| Jo Mama Mera Aa Jayega | Usha Timothy, Krishna Kalle, Hemlata, Balbir | A♭ Major | 7 | 4B | 79 BPM | ||
| Chal Chal Kahin Akele Mein | Sulakshana Pandit, Hemlata | D♭ Major | 9 | 3B | 134 BPM | ||
| Hum To Tere Dil Ke | Shamshad Begum, G. M. Durrani, Raja Mehdi Ali Khan | C Minor | 2 | 5A | 123 BPM | ||
| Kya Bura Kiya Hai Huzoor Maine | Mukesh, Kalyanji-Anandji | D♭ Minor | 2 | 12A | 75 BPM |