Paul Dukas, Peter Stangel's 'Der Zauberlehrling: Musik IV' had a release date set for November 12, 2010. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Der Zauberlehrling: Musik IV's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Dukas: Der Zauberlehrling by Taschenphilharmonie, Peter Stangel. Based on our statistics, Der Zauberlehrling: Musik IV's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Zauberlehrling: Musik IV by Paul Dukas, Peter Stangel is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 1/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ariane et Barbe-bleue, Act I: Ou sommes-nous? Ecoutez, on murmure (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 1 | 2B | 180 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| Dukas: La Péri: I. Fanfare | Paul Dukas, Armin Jordan, L'Orchestre de la Suisse Romande | F Minor | 1 | 4A | 67 BPM | ||
| La Bayadere, Act I, Scene 1: 1. “Introduction" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 129 BPM | ||
| Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 73 BPM | ||
| Jazz Suite No. 2: III. Dance I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
| Capriccio Espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 75 BPM | ||
| Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 84 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Ariane et Barbe-bleue: Act I: Vous aussi? (Blue-Beard, Ariane) | Paul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de Billy | D♭ Major | 1 | 3B | 84 BPM | ||
| Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 66 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
| Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 73 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | G Major | 1 | 9B | 118 BPM | ||
| Peer Gynt, Op. 23, Act II: No. 8, In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM |