On December 3, 2021, the song "Intermission II" was released by Víctor Reyes. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Víctor Reyes's "Love Gets a Room (Original Motion Picture Soundtrack)" album is number 8 out of 19. In terms of popularity, Intermission II is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Intermission II by Víctor Reyes to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Marcatori | EDO ZENITH | F♯ Minor | 2 | 11A | 76 BPM | ||
| Eroi | Sagrifizio | G Minor | 1 | 6A | 120 BPM | ||
| Nick's Theme | Brian Tyler | E Minor | 4 | 9A | 135 BPM | ||
| Did It Again | Joel Sandro, Joel | F♯ Major | 2 | 2B | 95 BPM | ||
| Rorschach | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| Welcome To Hollywood | Carlos Rafael Rivera | A♭ Major | 3 | 4B | 148 BPM | ||
| Linda Looks for Love, Pt. 1 | Carter Burwell | F Major | 4 | 7B | 97 BPM | ||
| The Weight of One Man's Heart | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| Spies and Typewriters | Abel Korzeniowski | A♭ Minor | 2 | 1A | 118 BPM | ||
| Radio Broadcast | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 1 | 4B | 59 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| Arimetrio | EDO ZENITH | A Major | 2 | 11B | 70 BPM | ||
| Situaciones Engañosas | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| My Name Is Tenax | Andrea Farri | F Major | 2 | 7B | 117 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| The TCBS | Thomas Newman | D Minor | 2 | 7A | 144 BPM | ||
| Come Away with Me | Silviu Michaels, Sade | D♭ Major | 3 | 3B | 110 BPM | ||
| Backfire - From “Spectre” Soundtrack | Thomas Newman | C Minor | 5 | 5A | 146 BPM | ||
| Suffragette | Alexandre Desplat | B♭ Major | 1 | 6B | 79 BPM | ||
| Elizabeth's Past | Nathan Barr | E♭ Minor | 0 | 2A | 72 BPM | ||
| A Tragedy in LaBelle | Carlos Rafael Rivera | D♭ Minor | 2 | 12A | 89 BPM | ||
| Mothers' Instinct (End Credits) | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| District Line, East, One Stop. | Dario Marianelli, Víkingur Ólafsson | E Minor | 0 | 9A | 144 BPM |