Alleluia...Troparion "Behold the Bridegroom - arr. N. Rimsky-Korsakov by Archangel Voices Song Details

"Alleluia...Troparion "Behold the Bridegroom - arr. N. Rimsky-Korsakov" by Archangel Voices had its release date on February 1, 2010. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Archangel Voices's "Lamentations: Orthodox Chants of Holy Week" album is number 3 out of 24. Based on our statistics, Alleluia...Troparion "Behold the Bridegroom - arr. N. Rimsky-Korsakov's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Alleluia...Troparion "Behold the Bridegroom - arr. N. Rimsky-Korsakov by Archangel Voices to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.

Music Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 21%
Loudness: -21.958 dB
Acousticness: 99%
Danceability: 19%
Energy: 14%
Instrumentalness: 57%
Liveness: 12%
Loudness: 63%
Speechiness: 4%
Valence: 4%

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