- BPM
- 148
- Key
- A Major
- Camelot
- 11B
1st Odalisque Female Variation by Adolphe Adam, MetodoVadim Song Details
On June 1, 2019, the song "1st Odalisque Female Variation" was released by Adolphe Adam, MetodoVadim. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in MetodoVadim's "Greatest Classical Ballet Female Variations" album is number 1 out of 12. Based on our statistics, 1st Odalisque Female Variation's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of 1st Odalisque Female Variation by Adolphe Adam, MetodoVadim to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
Music Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -20.164 dB
- Acousticness
- 92%
- Danceability
- 58%
- Energy
- 34%
- Instrumentalness
- 94%
- Liveness
- 9%
- Loudness
- 66%
- Speechiness
- 14%
- Valence
- 97%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem: Pie Jesu | Karl Jenkins, Polyphony, Stephen Layton | E♭ Major | 1 | 5B | 75 BPM | |
 | 弦楽セレナード ホ短調 作品20: 第2楽章: Larghetto | Edward Elgar, 石田組 | G Major | 2 | 9B | 106 BPM | |
 | Don Quixote/Kitri Variation Ver.1(Act.3) | Kim Ji Hyun | B♭ Major | 1 | 6B | 99 BPM | |
 | Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | |
 | Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | |
 | La Bayadere, Act III: 40. "Three Soloist Shades" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 181 BPM | |
 | Glass Birds In Rain | Joseph R Dolan, Ghibli | A Minor | 1 | 8A | 136 BPM | |
 | Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Andante - III. Molto meno mosso (Live) | Rogerio Tutti, Rogerio Tutti Orchestra | D♭ Major | 3 | 3B | 89 BPM | |
 | Jesu, Joy of Man’s Desiring (Arr. for Violin and Chorus by Samuel Adler) | Johann Sebastian Bach, Anne Akiko Meyers, Jaebon Hwang, Grant Gershon | D Major | 1 | 10B | 71 BPM | |
 | Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | December Magic - No Sleighbells | Julia Thomsen | A Minor | 3 | 8A | 93 BPM | |
 | New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | |
 | Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | |
 | O Holy Night (Arr. Hamilton for Solo Piano) | Adolphe Adam, David Hamilton, Lang Lang | C Major | 0 | 8B | 72 BPM | |
 | The First Nowell the Angel Did Say (The First Nowell) - Instrumental Version | John Keys | C Major | 3 | 8B | 75 BPM | |
 | Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | |
 | Cinema Paradiso Theme - From "Cinema Paradiso" | Orchestre Filmharmonique, Francis Choinière | F Major | 1 | 7B | 78 BPM | |
 | Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | |
 | Don Quixote: Act I: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 0 | 9A | 178 BPM | |
 | Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | |
| La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | |
 | Holberg Suite, Op. 40: II Sarabande | Edvard Grieg, Norwegian Chamber Orchestra | G Major | 0 | 9B | 125 BPM | |
| Giselle, Act 2: No. 10 Appearance of Myrtha, Queen of the Wilis | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | |
 | Casse-noisette : trepak, danse russe | Wiener Philharmoniker, Herbert von Karajan | D Major | 8 | 10B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records