"Du Bist die Ruh (12 Lieder von Schubert)" by Valérie Milot, Franz Liszt, Franz Schubert had its release date on October 7, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Nebulæ". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. In terms of popularity, Du Bist die Ruh (12 Lieder von Schubert) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Du Bist die Ruh (12 Lieder von Schubert) by Valérie Milot, Franz Liszt, Franz Schubert having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for Self-Isolation: Harp | Frank Horvat, Sharlene Wallace | C Major | 0 | 8B | 76 BPM | ||
| Lieder ohne Worte II, Op. 30: VI. Venetian Gondola Song. Allegretto, MWV U110 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | D Major | 1 | 10B | 78 BPM | ||
| Quintette No. 2 for flute, Violin, Viola, Cello and Harp: I. Allegrissimo | Jean Françaix, Antoine Bareil, François Vallières, Jocelyne Roy, Raphaël Dubé, Valérie Milot | B♭ Major | 1 | 6B | 129 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| 12 Danzas españolas, Op. 37, H. 142: No. 2, Oriental (Arr. for Violin & Piano by Anonymous) | Enrique Granados, Janna Gandelman, Laia Martín | C Minor | 1 | 5A | 89 BPM | ||
| Preludio for Piano | Camillo Togni, Aldo Orvieto | E♭ Major | 0 | 5B | 73 BPM | ||
| 3 Songs, Op. 7: 1. Après un rêve (Transcr. Y. Kondonassis) | Gabriel Fauré, Yolanda Kondonassis | F Minor | 0 | 4A | 100 BPM | ||
| Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Tournier: Quatre préludes: No. 3 Lent | Marcel Tournier, Catherine Michel | C Minor | 0 | 5A | 104 BPM | ||
| Trio for Violin, Cello and Harp: I. Allegro Tranquillo | Jacques Ibert, Valérie Milot, Antoine Bareil, Stéphane Bareil | C Minor | 1 | 5A | 91 BPM | ||
| Au bord du ruisseau in F Major | Henriette Renié, Silke Aichhorn | F Major | 0 | 7B | 77 BPM | ||
| Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
| 12 Studies for Harp: No. 8 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
| 6 Pieces for Harp Solo: No. 2, Scherzetto | Jacques Ibert, Ellen Bødtker | D♭ Major | 2 | 3B | 85 BPM | ||
| The Brook | Anne-Marguerite Michaud | F Major | 1 | 7B | 52 BPM | ||
| Si veriash a la rana | Kelly-Marie Murphy, Stéphane Tétreault, Valérie Milot | C Minor | 1 | 5A | 116 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Benedictus | Valérie Milot, Antoine Bareil | D Minor | 1 | 7A | 130 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VIII. Variazione VI. Allegro | Ernst Krähmer, Claudio Ferrarini | G Major | 1 | 9B | 71 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variazione III | Ernst Krähmer, Claudio Ferrarini | G Major | 1 | 9B | 71 BPM | ||
| Lenaerts: Fantaisie sur la Bohème de Puccini, Pt. 2 | Anneleen Lenaerts | A Major | 0 | 11B | 75 BPM |