Rajendra Vaishampayan's 'Arghya' had a release date set for April 1, 2009. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Arghya's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mann Samvad" album is number 7 out of 56. On top of that, India appears to be the country where this track was created. Arghya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arghya by Rajendra Vaishampayan to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kali Brahma | Telly Durga | E Minor | 6 | 9A | 165 BPM | ||
| Shri Sankatanashana Ganesha Stotram | Inner Splendor, Vallari Ambekar, Vedika Godbole | F♯ Major | 2 | 2B | 80 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM | ||
| Gurucharitra - Adhyay - 18 | Vedachary Trilochanshastri Kale | E Major | 1 | 12B | 110 BPM | ||
| Swastivachanam | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 129 BPM | ||
| Budhama M | Rinkoo Giri | E♭ Major | 2 | 5B | 122 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Shiva Panchakshara Stotram | Vallari Ambekar, Shri Vivek Godbole, Inner Splendor | D Major | 2 | 10B | 141 BPM | ||
| Shakambari Ashtak | Rajendra Vaishampayan | G Minor | 2 | 6A | 84 BPM | ||
| Garuda Gamana Tava | Anudeep Dev, Lakshmi Meghana, Maneesha Pandranki, Arjun Vijay, J.V. Sudhanshu, Sindhuja Srinivasan | D Major | 5 | 10B | 140 BPM | ||
| Durga Saptashati-Ninth Chapter | Pt. Hari Nath Jha | E♭ Major | 3 | 5B | 116 BPM | ||
| Bhagvad Gita Adhyay, Pt. 15 | Bhaktishri | G Major | 2 | 9B | 141 BPM | ||
| Navgraha Mantra 11 Times | Ketan Patwardhan | E Major | 2 | 12B | 144 BPM | ||
| Shree dattatreya stotram | Vaibhavi Shrikant Shete | D Major | 3 | 10B | 66 BPM | ||
| Ganapathi Ashtothara Sathanamavali | Bombay Sisters | D Major | 4 | 10B | 138 BPM | ||
| Jai Jai Raam Krishna Hari | Rajendra Vaishampayan | D♭ Major | 2 | 3B | 110 BPM | ||
| Srisuktam | Govindarajan, Malola Kannan | D♭ Major | 6 | 3B | 133 BPM | ||
| Sri Hanumanth Bhujangam | Malola Kannan | C Major | 8 | 8B | 114 BPM | ||
| Laxmi Narasimha Stotram | Abhijeet Ghoshal | B Major | 4 | 1B | 100 BPM | ||
| Pratah Smarana Stotram / Sri Adi Shankaracharya | Chitra Rajan | F Major | 2 | 7B | 36 BPM | ||
| devī sūktam | Shantala Sriramaiah | E Major | 3 | 12B | 141 BPM | ||
| Renuka Stotr | Pt. V. K. Vaishampayan | F Major | 5 | 7B | 155 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Om Sham Shanicharaya Namah | Pramod Kishan | D Major | 6 | 10B | 148 BPM |