Introduction, Theme and Variations on a Swedish Air, Op. 124: Introduction by Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek Song Details

"Introduction, Theme and Variations on a Swedish Air, Op. 124: Introduction" by Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek had its release date on February 3, 2015. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Nordic Concertos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Introduction, Theme and Variations on a Swedish Air, Op. 124: Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Introduction, Theme and Variations on a Swedish Air, Op. 124: Introduction by Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.5 dB
Acousticness: 98%
Danceability: 38%
Energy: 9%
Instrumentalness: 47%
Liveness: 15%
Loudness: 62%
Speechiness: 6%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie Concertante in A Major, Op. 9 No. 2: II. Rondeau	Joseph Boulogne Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz	A Major	1	11B	130 BPM
Clarinet Quartet No. 1 in E-Flat Major, Op. 2: III. Menuetto. Allegro - Trio	Bernhard Henrik Crusell, Eric Hoeprich, Catherine Manson, John Crockatt, Jonathan Manson	C Minor	1	5A	86 BPM
Symphony in G Major, Eisen G8: II. Andante	Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon	E Minor	2	9A	120 BPM
Clarinet Quartet No. 2 in C Minor, Op. 4: III. Pastorale	Bernhard Henrik Crusell, Osmo Vänskä, Pekka Kauppinen, Anu Airas, Ilkka Palli	B♭ Major	1	6B	70 BPM
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller	D Major	3	10B	85 BPM
Bassoon Concerto in F Major, WoO 23, S63: III. Rondo. Vivace	Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp	C Major	1	8B	85 BPM
Septet in E Flat Major, Op. 20: 1. Adagio - Allegro con brio	Ludwig van Beethoven, Berlin Philharmonic Octet	G Major	0	9B	72 BPM
Symphony in C Major, F. 26: II. Andante	Josef Mysliveček, Matthias Bamert, London Mozart Players	F Major	0	7B	78 BPM
String Quartet in E-Flat Major: I. Adagio ma non troppo	Fanny Mendelssohn, Merel Quartet	E Minor	2	9A	120 BPM
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo	Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel	B♭ Major	0	6B	88 BPM
Symphony in D Major, Op. 3, No. 2: II. Andantino	Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong	G Major	0	9B	113 BPM
Concerto in E-Flat Major, Op. 1: II. Adagio	Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra	A♭ Major	0	4B	120 BPM
Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: II. Romanza. Andante	Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow	C Minor	0	5A	83 BPM
Cypresses B.152: 1. Moderato	Antonín Dvořák, Hagen Quartett	D♭ Major	1	3B	83 BPM
Duo for Violin and Viola in E Minor, Op. 13: II. Adagio	Louis Spohr, Antje Weithaas, Tabea Zimmermann	C Major	0	8B	127 BPM
Oboe Concerto in C: 2. Allegro	Domenico Cimarosa, Heinz Holliger, I Musici	C Major	2	8B	114 BPM
Holberg Suite, Op. 40: IV. Air (Version for Strings)	Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti	G Minor	0	6A	84 BPM
Concerto grosso No. 11 in D Minor from L'estro armonico, Op. 3: III. Allegro (Arr. Leopold Stokowski)	Antonio Vivaldi, Matthias Bamert, BBC Philharmonic	D Minor	0	7A	99 BPM
La locandiera Overture: I. Allegro assai	Antonio Salieri, Matthias Bamert, London Mozart Players	F Major	0	7B	78 BPM
Orfeo ed Euridice: Air for Oboe and Strings, "Dance of the Blessed Spirits"	Christoph Willibald Gluck, François Leleux, Munich Chamber Orchestra	D Minor	1	7A	80 BPM
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I	Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin	C Major	0	8B	109 BPM
Viola Concerto in D Major: I. Allegro	Franz Anton Hoffmeister, Andra Dārziņa, Urban Camerata	C Major	1	8B	135 BPM
Symphony No. 8 in C Minor: II. Andante	William Herschel, Matthias Bamert, London Mozart Players	G Minor	0	6A	141 BPM
Keyboard Concerto in A Minor, Wq. 26: II. Andante	Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig	C Major	0	8B	97 BPM
Wind Quintet in F Major, Op. 68, No. 2: I. Allegro	Franz Danzi, Michael Thompson Wind Ensemble	F Major	1	7B	126 BPM