Anthony Strong's 'Whatever Lola Wants' had a release date set for 2014. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "On a Clear Day". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Whatever Lola Wants is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Whatever Lola Wants by Anthony Strong having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strip Ology | Giorgio Cuscito | D Major | 7 | 10B | 52 BPM | ||
| Why Don't You Do Right | Sinéad O'Connor | F Major | 7 | 7B | 120 BPM | ||
| Get Happy | Lucy Dixon, Samy Daussat, Umlaut Big Band | F♯ Major | 4 | 2B | 97 BPM | ||
| Sir Duke | The Chris Walden Big Band | F♯ Major | 5 | 2B | 108 BPM | ||
| This Can't Be Love | Anthony Strong | D Major | 5 | 10B | 105 BPM | ||
| The More I See You | Anthony Strong | F Minor | 3 | 4A | 99 BPM | ||
| It's A Good Day | Matthieu Boré, Francesco Petreni, Ferruccio Spinetti, Guy Bonne | B♭ Minor | 4 | 3A | 130 BPM | ||
| Fascinating Rhythm | Mark Murphy | C Major | 3 | 8B | 97 BPM | ||
| Frim Fram Sauce | Txell Sust & August Tharrats Blues Trio | G Major | 3 | 9B | 114 BPM | ||
| Without You Crooner | Franck Sarkissian | A♭ Major | 3 | 4B | 115 BPM | ||
| Somebody In Love | Dana Masters | D♭ Major | 4 | 3B | 87 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| Mysterious Ways - Remix | Brent Thomas Mills, Brent T. Mills | E Minor | 8 | 9A | 120 BPM | ||
| Doin' the New Low Down | Sam Jewison | F Minor | 8 | 4A | 127 BPM | ||
| Someone Else's Love | Dana Masters | G Major | 8 | 9B | 102 BPM | ||
| Blusette | Ann Hampton Callaway | A♭ Major | 4 | 4B | 99 BPM | ||
| Big in Japan | Heather Rigdon | A Major | 5 | 11B | 200 BPM | ||
| No More | Jazzmeia Horn | D♭ Major | 5 | 3B | 105 BPM | ||
| The More We Dance | Dirty Rotten Scoundrels Original Broadway Cast | B♭ Minor | 3 | 3A | 80 BPM | ||
| Messin' With Fire | Clare Teal | F Minor | 6 | 4A | 200 BPM | ||
| Sweet Lorraine | Michael Stephenson, Alexander Claffy | D Major | 1 | 10B | 125 BPM | ||
| Walk Between the Raindrops | Suss von Ahn | F Minor | 4 | 4A | 136 BPM | ||
| U Can't Touch This | Aubrey Logan | G Major | 6 | 9B | 144 BPM | ||
| Eve's Lament | Lizzy & The Triggermen | C Minor | 2 | 5A | 70 BPM | ||
| Big Spender | Valarie Pettiford, Fosse Ensemble | B Minor | 0 | 10A | 102 BPM |