"For All We Know" by Steve Tyrell had its release date on September 10, 1999. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 17 in A New Standard by Steve Tyrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. For All We Know is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of For All We Know by Steve Tyrell is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cry Me a River | Frank Sinatra Jr. | F Major | 3 | 7B | 147 BPM | ||
| That Old Black Magic | Kevin Spacey | C Major | 4 | 8B | 183 BPM | ||
| What a Difference a Day Makes | Renee Olstead | C Major | 1 | 8B | 84 BPM | ||
| Thes Emptys Chairs | Herni Brokens | G Minor | 3 | 6A | 129 BPM | ||
| Slow | Ann Hampton Callaway | A Minor | 2 | 8A | 105 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| The More I See You | Frankie Randall | C Major | 2 | 8B | 111 BPM | ||
| Don't Be Something You Ain't | Erin Boheme | A Minor | 2 | 8A | 113 BPM | ||
| Bells for Two | Timeless Tone | F Minor | 1 | 4A | 120 BPM | ||
| Will You Love Me Tomorrow? | Ann Hampton Callaway | C Major | 2 | 8B | 82 BPM | ||
| Happy Walk in Winter | Timeless Tone | F Minor | 2 | 4A | 170 BPM | ||
| Where Do You Start | Michael Feinstein | C Major | 2 | 8B | 122 BPM | ||
| I Missed You Today | Erin Boheme | B♭ Major | 5 | 6B | 172 BPM | ||
| Love Always Leads Me Home - 1940s Jazz | Jazz Street | F Minor | 2 | 4A | 170 BPM | ||
| Then I'll Be Tired of You | Kat Gang | G Major | 2 | 9B | 110 BPM | ||
| What Now My Love | Carin Lundin, Johan Setterlind, Mathias Algotsson, Mattias Welin, Daniel Fredriksson | C Major | 1 | 8B | 112 BPM | ||
| Justs A Desires | Herni Brokens | B♭ Minor | 3 | 3A | 173 BPM | ||
| All of Me | John Stevens | C Major | 5 | 8B | 144 BPM | ||
| Valentine On New Years Eve | Mark Brignone | G Major | 3 | 9B | 126 BPM | ||
| Secrets and Riddles - 1940s Vintage Jazz Piano & Retro Bar | Raviel Blackthorn | D Minor | 4 | 7A | 137 BPM | ||
| Days of Wine & Roses | Jacintha | A Major | 0 | 11B | 100 BPM | ||
| How About You | Michael Feinstein | C Major | 3 | 8B | 120 BPM | ||
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| Don't Get Around Much Anymore | Steve Tyrell | C Major | 4 | 8B | 111 BPM | ||
| The Best Is Yet To Come | Peter Grant | D♭ Major | 4 | 3B | 120 BPM |