Shiv Kumar, Balram's ' "Mumbaiya" was released on its scheduled release date, 2003. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shiv Kumar, Balram's "Kashmiri Dhol" album is number 11 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Mumbaiya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mumbaiya by Shiv Kumar, Balram to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhapra Siwan Aakhda | Arbind Arpan, Shiv Kumar | B♭ Minor | 10 | 3A | 155 BPM | ||
| Kanudo Kalo Kalo | Narayan Swami | F Major | 4 | 7B | 142 BPM | ||
| Tune Mujhe Bulaya | Kunal Chanchal | F Major | 9 | 7B | 84 BPM | ||
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Geeta Gyan 20 - Mere Bhakt Ka Nash Na Ho Kabhi Meri Kripa Se Mukti Wo Paye | Ravindra Jain | G Major | 2 | 9B | 98 BPM | ||
| Shadi Rachaihe Apne Jaat Me | Shiv Kumar | G Minor | 10 | 6A | 160 BPM | ||
| Bhole Teri Jata Mein | NARAYANSWAMI | C Major | 7 | 8B | 117 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Dil Batelu Jaise Bhail Parsadi Ba | Ranjan Lal Yadav, Shiv Kumar | D♭ Major | 10 | 3B | 152 BPM | ||
| Bharat Janam Hamar Mile | Kishan Kanhaiya, Shiv Kumar | D Major | 10 | 10B | 126 BPM | ||
| Main To Bhole Baba Diwana Tere Naam Ka | Udit Narayan | D♭ Minor | 5 | 12A | 102 BPM | ||
| Juta Mera | Sanny Dayal, Shiv Kumar | F♯ Major | 3 | 2B | 92 BPM | ||
| Rama Rama Ratte Ratte Biti Re Umariya | Maithili Thakur | B♭ Minor | 5 | 3A | 126 BPM | ||
| Hari Naam Nahi To Jeena Kiya Re | Prem Bhushan Maharaj | E Minor | 5 | 9A | 86 BPM | ||
| Jagat Ke Rang Kya Dekhoon | Shailendra Bharti, Kavita Raam | A♭ Major | 4 | 4B | 172 BPM | ||
| Shabri Magan Hai Ram Bhajan Mein | Tripti Shakya | F Minor | 9 | 4A | 80 BPM | ||
| Hari Anant HariKatha Ananta | Mohammed Aziz | E Major | 6 | 12B | 135 BPM | ||
| Tahre Pyar Mile | Om Prakash, Shiv Kumar | D Major | 10 | 10B | 126 BPM | ||
| Karti Hoon Vrat Tumhara | Usha Mangeshkar | F♯ Minor | 3 | 11A | 145 BPM | ||
| Bhaye Pragat Kripala | Jagjit Singh | B♭ Minor | 4 | 3A | 99 BPM | ||
| Mor Lahnga Ma | Shiv Kumar, Rekha Rathor, Purnima | B Major | 10 | 1B | 150 BPM | ||
| Jay Jay Giriraj Kishori-Gauri Chopai | Trupti Dave | G Major | 4 | 9B | 129 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sapna Vishwakarma | D♭ Major | 7 | 3B | 80 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM |