"Liebe erhellt die ganze Welt" by Rudolf Schock had its release date on January 6, 2006. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 22 in Fernsehwunschkonzert mit by Rudolf Schock. In terms of popularity, Liebe erhellt die ganze Welt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebe erhellt die ganze Welt by Rudolf Schock is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Land des Lächelns: "Dein ist mein ganzes Herz!" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Blue Danube | Richard Tauber | D♭ Major | 3 | 3B | 171 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Auf dem Berge Ida | Rudolf Schock | B♭ Major | 2 | 6B | 127 BPM | ||
| Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 3, Quartet. Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Capri-Fischer | Lolita | G Minor | 5 | 6A | 117 BPM | ||
| So nimm denn meine Hande | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | B♭ Major | 0 | 6B | 233 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM | ||
| Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
| Ach, ich habe in meinem Herzen: Schwarzer Peter: Ach ich hab' in meinem Herzen da drinnen (from "Schwarzer Peter") | Norbert Schultze, Rudolf Schock, Schaumburger Märchensänger, FFB Orchestra | B Major | 1 | 1B | 61 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Messa di gloria, SC 6: IIc. Gloria. Qui tollis peccata mundi - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 4 | 3B | 116 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Dein ist mein ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 83 BPM | ||
| Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester, Angelika Kirchschlager | D Major | 1 | 10B | 87 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta) | Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra | D♭ Major | 3 | 3B | 87 BPM | ||
| Komm in die Gondel (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 72 BPM | ||
| Bellini: I puritani: "Suon d'araldi" (Riccardo, Giorgio, Coro, Elvira, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |