"Gateway - Game Mix" by Brian Tuey had its release date on September 3, 2013. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Gateway - Game Mix's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Origins (Original Game Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Gateway - Game Mix is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gateway - Game Mix by Brian Tuey having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The World is Screaming - Ver.1 | Kota Suzuki | D♭ Major | 4 | 3B | 125 BPM | ||
| Rising Ancients | Brian Tuey | C Minor | 8 | 5A | 120 BPM | ||
| Damned 3 (From “Call of Duty: Black Ops 3”) | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Against All Odds | Cris Velasco, Sascha Dikiciyan | G Minor | 5 | 6A | 104 BPM | ||
| Close Encounter | Tilman Sillescu | D♭ Major | 9 | 3B | 120 BPM | ||
| Zombies Don't Surf | James McCawley | F♯ Major | 9 | 2B | 128 BPM | ||
| Eye of the Storm | Lorne Balfe, Assassin's Creed | G Major | 7 | 9B | 180 BPM | ||
| Motherly Mayhem | Lorne Balfe | F Major | 8 | 7B | 95 BPM | ||
| Vasir Combat | Christopher Lennertz | D♭ Major | 10 | 3B | 160 BPM | ||
| Enter Skag Gully | Raison Varner | C Major | 2 | 8B | 175 BPM | ||
| Richtofen's Delight | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| Introduction | Kota Suzuki | A♭ Major | 8 | 4B | 92 BPM | ||
| Ignition | Brian Tuey | D♭ Major | 6 | 3B | 100 BPM | ||
| Abra Macabre | Kevin Sherwood | D♭ Major | 10 | 3B | 120 BPM | ||
| Panic | Zhenlan Kang | D♭ Major | 2 | 3B | 128 BPM | ||
| Power Station Theme | Brian Tuey | C Minor | 3 | 5A | 100 BPM | ||
| Archangel (From “Call of Duty: Black Ops 2 - Origins”) - Theatrical Mix | Brian Tuey | D Minor | 4 | 7A | 115 BPM | ||
| Liberty Road | Jack Wall | F Minor | 5 | 4A | 135 BPM | ||
| Gaining Speed | Pawel Blaszczak | D♭ Major | 9 | 3B | 200 BPM | ||
| Decline | Pawel Blaszczak | F Major | 3 | 7B | 140 BPM | ||
| The Hell Gate - Devil's Invasion | Capcom Sound Team | F♯ Minor | 2 | 11A | 66 BPM | ||
| Rushing | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Voice In Your Head | James McCawley | C Minor | 4 | 5A | 220 BPM | ||
| Cyclone 2 | Johan Skugge, Jukka Rintamäki | C Major | 7 | 8B | 151 BPM |