"ここはすばらしい場所 作品21の7" by セルゲイ・ラフマニノフ, 吉田恭子 had its release date on 2001. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. ここはすばらしい場所 作品21の7's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sea Shell 〜ヴァイオリン名曲集". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Based on our statistics, ここはすばらしい場所 作品21の7's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ここはすばらしい場所 作品21の7 by セルゲイ・ラフマニノフ, 吉田恭子 having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
| シューベルト: 4つの即興曲 作品90 III. アンダンテ | Franz Schubert, Kyohei Sorita | F♯ Major | 0 | 2B | 72 BPM | ||
| In a Tranquil Water Garden | Mark John McEncroe, Van-Anh Nguyen, Yena Choi | D Major | 1 | 10B | 64 BPM | ||
| Salut d'amour, Op. 12 (Arr. for Cello and Piano by Julian Riem) | Edward Elgar, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 83 BPM | ||
| Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM | ||
| Tendrement - Valse chantée | Erik Satie, Olga Scheps | E♭ Major | 0 | 5B | 70 BPM | ||
| 10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
| The Messenger (For Piano Solo) | Valentin Silvestrov, Hélène Grimaud | C Major | 0 | 8B | 65 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM | ||
| Sonatina in G Major: I. Andantino | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 72 BPM | ||
| II. Adagio | Wolfgang Amadeus Mozart, Emil Jonason, Helsingborg Symphony Orchestra, Stefan Solyom | D Major | 0 | 10B | 87 BPM | ||
| Piano Sonata No. 3 In C Minor, Op. 1, No. 3, H.8: I. Non Troppo Allegro, Ma Con Fuoco E Con Espressione | Benjamin Frith, John Field | F Minor | 2 | 4A | 111 BPM | ||
| パガニーニの主題による狂詩曲 Op. 43: II. | セルゲイ・ラフマニノフ, ベルント・グレムザー, Polish National Radio Symphony Orchestra, アントニ・ヴィト | A Major | 0 | 11B | 143 BPM | ||
| Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 "The Shepherd's Complaint" (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Julien Quentin | B Minor | 0 | 10A | 67 BPM | ||
| Three Jamaican Dances: No. 2 | Oswald Russell, William Chapman Nyaho | E Major | 0 | 12B | 117 BPM | ||
| NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
| Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
| 6 Pieces for Piano, Op. 118: No. 6, Intermezzo in E-Flat Minor | Johannes Brahms, Seong-Jin Cho | B♭ Minor | 1 | 3A | 71 BPM | ||
| Scott: 2 Pieces, Op. 47: No. 1, Lotus Land | Cyril Scott, Leif Ove Andsnes | E♭ Minor | 0 | 2A | 66 BPM | ||
| 夢のあとに | Gabriel Fauré, Kyohei Sorita, 森田啓佑, MLMナショナル管弦楽団 | D Major | 1 | 10B | 134 BPM | ||
| Mendelssohn - Lieder, S547/R217 (7 Lieder From Mendelssohn, Op, 19a, 34, 47) : Auf Flugeln Des Gesanges(From Op. 34, No. 2) | Joseph Banowetz, Franz Liszt | A♭ Major | 0 | 4B | 149 BPM |