On January 1, 1972, the song "Dulhan Banti Hain" was released by Lata Mangeshkar, Laxmikant–Pyarelal. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Jeet" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. Dulhan Banti Hain is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Dulhan Banti Hain by Lata Mangeshkar, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do Pal | Madan Mohan, Lata Mangeshkar, Sonu Nigam, Javed Akhtar | B Major | 6 | 1B | 169 BPM | ||
| Sharab Cheez Hi Aisi | Pankaj Udhas | B Minor | 5 | 10A | 99 BPM | ||
| Bade Achhe Lagte Hain | Amit Kumar | F♯ Major | 2 | 2B | 140 BPM | ||
| Woh Kehte Hain Ham Se (From "Dariya Dil") | Nitin Mukesh | B Minor | 7 | 10A | 105 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Bhor Bhaye Panghat Pe | Lata Mangeshkar, Laxmikant–Pyarelal | A Minor | 4 | 8A | 199 BPM | ||
| Khoya Khoya Chand Khula Aasman (From "Kala Bazar") | Mohammed Rafi | A Major | 5 | 11B | 81 BPM | ||
| Chale Aao... Chale Aao | Salma Agha, Manhar Udhas | D Major | 6 | 10B | 98 BPM | ||
| Main Yahaan Hoon | Madan Mohan, Udit Narayan, Javed Akhtar | E Minor | 8 | 9A | 172 BPM | ||
| Pyar Kiya To Darna Kya | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| To Chalun (From "Border") | Roop Kumar Rathod | A♭ Minor | 8 | 1A | 144 BPM | ||
| Kabhi Tanhaiyon Mein | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Commentry Tabassum And Humen Tumse Pyar Kitna | Tabassum, Kishore Kumar, R. D. Burman | A Minor | 4 | 8A | 125 BPM | ||
| Log Barso Judaa Hoke Duet | Pankaj Udhas, Sadhana Sargam | C Major | 7 | 8B | 139 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Thodi Si Zamin Thoda Aasman | Bhupinder Singh, Lata Mangeshkar, R. D. Burman | A♭ Major | 3 | 4B | 110 BPM | ||
| Apne | Sonu Nigam, Jayesh Gandhi, Jaspinder Narula | F♯ Major | 7 | 2B | 176 BPM | ||
| Haal Kaisa Hai Janab Ka | Asha Bhosle, Kishore Kumar, S. D. Burman | B♭ Major | 6 | 6B | 130 BPM | ||
| Banno Teri Ankhiyan Soorme | Sapna Awasthi | A Major | 4 | 11B | 92 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Itna Na Mujhse Tu Pyar Badha | Talat Mahmood, Lata Mangeshkar | C Major | 5 | 8B | 200 BPM | ||
| Ehsan Tera Hoga Mujh Par (From "Junglee") - Male Vocals | Mohammed Rafi | A♭ Minor | 4 | 1A | 90 BPM | ||
| Mujhko Peena Hain | Mohammed Aziz | B♭ Minor | 8 | 3A | 114 BPM |