"La Bella Habana in D Minor" by Camerata Romeu, Zenaida Romeu had its release date on November 15, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Zenaida Romeu, Camerata Romeu's "La Bella Habana" album is number 9 out of 9. On top of that, Germany appears to be the country where this track was created. La Bella Habana in D Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bella Habana in D Minor by Camerata Romeu, Zenaida Romeu to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| I | Sammy Weissberg, Samuel Weissberg | B Minor | 2 | 10A | 142 BPM | ||
| Suite caribeña: El gran tumbao | Roberto Valera, Camerata Romeu, Zenaida Romeu | B♭ Major | 7 | 6B | 119 BPM | ||
| Sonate au clair de lune, Op. 33, No. 2 III. Lento espressivo | Edmund Percival Montfort, Yaroslav Medvedev-Taraldset | A♭ Minor | 2 | 1A | 102 BPM | ||
| Works For Cello: Nocturne. Adapted From The Six Piano Pieces, Op. 19 | Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin | B♭ Major | 1 | 6B | 60 BPM | ||
| Quizás, quizás, quizás | Miloš Karadaglić, Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel | E Minor | 0 | 9A | 109 BPM | ||
| Angry Mia | Mia Brentano, Andy Miles | B Minor | 0 | 10A | 178 BPM | ||
| Te Amaré | Camerata Romeu | G Major | 2 | 9B | 127 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| Dance Suite, Sz. 77, BB 86a: III. Allegro vivace - Arr. for Saxophone and Accordion by MZ Duo | Béla Bartók, MZ Duo | B Minor | 2 | 10A | 142 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Charlie | Stéphane Tsapis | F Major | 2 | 7B | 177 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Piazzolla / Arr. Morganti: Chau Paris | Lucienne Renaudin Vary | G Minor | 2 | 6A | 132 BPM | ||
| Marthe Richard au service de la France, H. 110 (Version for Piano): Tango de Charlotte | Arthur Honegger, Gottlieb Wallisch | D Major | 1 | 10B | 139 BPM | ||
| 4 Spanish Pieces: No. 4, Polo Gitano | Tomás Bretón, LOM Piano Trio | C Major | 1 | 8B | 100 BPM | ||
| Hada pequeña | Quartetto Fancelli | D Minor | 3 | 7A | 119 BPM | ||
| Y Si Llego A Besarte | Miriam Ramos, Camerata Romeu, Amaury Pérez | F Major | 4 | 7B | 99 BPM | ||
| On Your Side | blue lemon | G Major | 4 | 9B | 80 BPM | ||
| Scherzo and March (Music from the Opera «Love for Three Oranges») | Alexander Hrustevich | D Minor | 3 | 7A | 131 BPM | ||
| Pure Imagination | Mike Dixon | A♭ Major | 0 | 4B | 180 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Trois Mélodies, Op. 7: No. 1, Après un rêve (Arr. for Flute and Harp by Sylvain Millepied and Maia Darme) | Sylvain Millepied, Maia Darme | A Minor | 0 | 8A | 90 BPM | ||
| Duda | Ricardo García De Arellano, Sociedad Camerista de México | E♭ Major | 1 | 5B | 77 BPM |