On January 9, 2015, the song "Have Ler Lagi" was released by Ramesh Parmar, Meena Patel. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ramesh Parmar, Meena Patel's "Mithi Maiyaran" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Have Ler Lagi is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Have Ler Lagi by Ramesh Parmar, Meena Patel to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Dulha Ke Kakka Bade Uchakka Samdhan Ko Mare Miss Call Bundeli Gari | Megha Yadav, Pratibha Vishwakarma, Kalpana Kachhuare, Suman Prajapati | F♯ Minor | 9 | 11A | 142 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Byalu Kijo Din Dayal | Jaya Kishori ji | F Minor | 7 | 4A | 146 BPM | ||
| Shyam Tu Kya Jane Khada Hai Kone Mein Ek Daas | Sanjay Mittal | C Minor | 6 | 5A | 80 BPM | ||
| Pakad Lo Hath Banwari | Bijendra Chauhan | G Major | 8 | 9B | 150 BPM | ||
| De Dao Sudaya Ke | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | D♭ Minor | 7 | 12A | 78 BPM | ||
| Khimji Amiya | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Mane Durga Rup Dikha Mari Maa Bhajan | Moinudin Manchala | F♯ Minor | 8 | 11A | 101 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Mara Hari Ne Kya Jova Javu | Ramesh Parmar | F Minor | 8 | 4A | 126 BPM | ||
| Maa Ambey | Rajeev Singh | C Major | 6 | 8B | 168 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Jejuricha Raja Devhari Sonyachya | Chhagan choughule | A♭ Major | 8 | 4B | 97 BPM | ||
| Sada Suhagan Mata Tu Hai | Narendra Chanchal | D♭ Major | 7 | 3B | 117 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Dard To Ab Rukne Ka Ab | Attaullah Khan | C Minor | 5 | 5A | 112 BPM | ||
| Tune Kino Julm Rang Daar | Sadhvi Purnima Ji | D♭ Minor | 7 | 12A | 126 BPM | ||
| Dholaji Halya Chakari Re | Mathurbhai Kanjariya, Ramesh Parmar | F♯ Major | 8 | 2B | 151 BPM | ||
| Manva Bolo Jai Sita Ram Bolo | Sri Sathya Sai Bhajans | D Minor | 5 | 7A | 82 BPM | ||
| Hat Pakde Nand Lala | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Chalo Daras Bar | Dukalu Yadav | D♭ Major | 6 | 3B | 80 BPM | ||
| Dhan Dhan Ramapir Lajiya Rakhjo | Ramesh Parmar | G Minor | 7 | 6A | 80 BPM | ||
| Maa Hi Mandir Maa Hi Pooja | Gyanendra Sharma | E♭ Minor | 6 | 2A | 94 BPM | ||
| Mera Bhagad Vala Mera Naaga Vala | Ashu Verma | A♭ Minor | 7 | 1A | 85 BPM |