Orlande de Lassus, Julyo's ' "Cor Meum" was released on its scheduled release date, August 19, 2019. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #50. Furthermore, we believe that the track originated from United States. Based on our statistics, Cor Meum's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Cor Meum by Orlande de Lassus, Julyo having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | G Minor | 1 | 6A | 72 BPM | ||
| Psalmus Sextus Poenitentialis: "De profundis clamavi ad te Domine" | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | F Major | 2 | 7B | 67 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| Sine textu 7 (I) | Orlande de Lassus, La Tempête, Simon-Pierre Bestion | A Minor | 5 | 8A | 100 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
| Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
| Cavalli: Ercole amante, Act 2, Scene 6: "Dormi, dormi o Sonno" (Coro) | Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, English Bach Festival Baroque Orchestra | A♭ Minor | 0 | 1A | 113 BPM | ||
| Kaiserrequiem: V. Sanctus - Beneditus - Hosanna | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | E♭ Major | 1 | 5B | 107 BPM | ||
| Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
| Tallis: O Lord, in Thee Is All My Trust | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 75 BPM | ||
| All-Night Vigil, Op. 37: X. Having Beheld the Resurrection of Christ | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Madrigali Erotici E Spirituali: Plorat Amare | Consort Of Musicke, Andrew King, Emma Kirkby, Mary Nichols, Gabriele Micheli, Claudio Monteverdi, Joseph Cornwell, Evelyn Tubb, Simon Grant | A Minor | 1 | 8A | 169 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 81 BPM | ||
| In monte Oliveti II | Orlande de Lassus, Regensburger Domspatzen, Roland Büchner | F Major | 3 | 7B | 137 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| The Journeymans Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E♭ Major | 1 | 5B | 88 BPM | ||
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
| Miserere: Tibi soli | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | B♭ Major | 1 | 6B | 131 BPM |