R. D. Burman's 'Nadir Paare Uthchhe Dhonya' had a release date set for September 1, 1986. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 10 out of 10 in Best Of Rahul Deb Burman by R. D. Burman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nadir Paare Uthchhe Dhonya's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nadir Paare Uthchhe Dhonya by R. D. Burman is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aare Gailey Ki Ashiben Mor | Pratima Barua (Pande), Bhupen Hazarika | B Major | 3 | 1B | 138 BPM | ||
| Aaj Mone Hoi Ei Niralay | Satinath Mukherjee | F♯ Major | 3 | 2B | 120 BPM | ||
| Sraboner Dharar Mato | Srabani Sen, Ratna Mitra | F♯ Major | 2 | 2B | 72 BPM | ||
| Jadi Akash Hoto Ankhi | Aarti Mukherji | A Minor | 3 | 8A | 138 BPM | ||
| E Shahar Pranta | Bhupen Hazarika | B♭ Major | 4 | 6B | 135 BPM | ||
| Chalo Chole Jai Haate Haat Rekhe | R. D. Burman, Asha Bhosle | G Major | 3 | 9B | 102 BPM | ||
| Amar Ei Path Chaoyatei Ananda - Kabir Suman | Kabir Suman | D♭ Major | 3 | 3B | 164 BPM | ||
| Aamaro To Sadh Chilo | Kanu Bhattacharya, Lata Mangeshkar | F♯ Minor | 6 | 11A | 117 BPM | ||
| Se To Elo Na | Kishore Kumar, R. D. Burman | A Major | 3 | 11B | 95 BPM | ||
| Kaal Kakhan Aasbe Balo Na | R. D. Burman | A Major | 4 | 11B | 101 BPM | ||
| Putul Nebe Go,Pt. 3 and 4 | Shyamal Mitra | D Major | 3 | 10B | 173 BPM | ||
| Jhiri Jhiri Batas Kande | Shyamal Mitra | F Major | 2 | 7B | 170 BPM | ||
| Jodi Bondhu Hao | Subhamita | C Major | 4 | 8B | 105 BPM | ||
| Bhalobasa | Kabir Suman | C Major | 3 | 8B | 93 BPM | ||
| Asharh Sraban Mane Na To Mon | Lata Mangeshkar | F♯ Major | 4 | 2B | 116 BPM | ||
| Khelichha E Viswa Loye | Anup Jalota | A♭ Minor | 1 | 1A | 150 BPM | ||
| Tobu Bole Keno Sahasai | Kishore Kumar, R. D. Burman | E Minor | 4 | 9A | 95 BPM | ||
| Bone Noy Mone Mor | Manabendra Mukherjee | B♭ Major | 5 | 6B | 85 BPM | ||
| Oliro Kotha Shune - Sagarika Bhattacherjee | Sagarika Bhattacherjee | C Major | 3 | 8B | 168 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Doob De Re Mon | Nirmalya Roy | D♭ Major | 6 | 3B | 170 BPM | ||
| Teenti Mantra Niye | Shyamal Mitra | E♭ Major | 3 | 5B | 108 BPM | ||
| Na Bole Esechhi | Aarti Mukherji | E Minor | 4 | 9A | 111 BPM | ||
| Tolo Chhinnabeena | Asha Bhosle, R. D. Burman | A Major | 4 | 11B | 103 BPM | ||
| Je Bhabei Tumi | Subhamita | C Minor | 3 | 5A | 90 BPM |