U. Utah Phillips, Mark Ross's ' "Gaffing-The Last Ride" was released on its scheduled release date, April 22, 1997. This song appears to be safe for all ages as it is not explicit. The track order of this song in U. Utah Phillips's "Loafer's Glory" album is number 7 out of 16. On top of that, United States appears to be the country where this track was created. Gaffing-The Last Ride is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gaffing-The Last Ride by U. Utah Phillips, Mark Ross to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Someday | Blaze Foley | D Major | 2 | 10B | 65 BPM | ||
| Make this real | Snow Shine | E♭ Major | 1 | 5B | 138 BPM | ||
| Goin' Across the Mountain | Anna & Elizabeth | C Major | 2 | 8B | 104 BPM | ||
| LOVE CONQUERS ALL - FM2 | Stephen Youmoore | G Major | 4 | 9B | 103 BPM | ||
| You Are Everything | Charlie White | A Major | 4 | 11B | 157 BPM | ||
| The Next Morning | Casey Hiatus | D Minor | 3 | 7A | 170 BPM | ||
| Oliver's Outhouse | U. Utah Phillips | A Major | 2 | 11B | 77 BPM | ||
| Hobo in My Mind - Live at the Marquee Club, London | Tom Paxton | A Major | 6 | 11B | 100 BPM | ||
| Mannington Mine Disaster | Hazel Dickens | B♭ Major | 2 | 6B | 74 BPM | ||
| We Are Free | John S Comeaux | B♭ Major | 2 | 6B | 110 BPM | ||
| Long Way Home | David Francey | D Major | 3 | 10B | 152 BPM | ||
| Sinking In The Lonesome Sea | The Carter Family | E♭ Major | 4 | 5B | 180 BPM | ||
| Sunrise on Schedule | Steve The Trailplayer | C Major | 5 | 8B | 134 BPM | ||
| anything we could have done | Stephen Moore | D Major | 3 | 10B | 129 BPM | ||
| Wouldn't Be the First Time | Kieran Kane, Rayna Gellert | C Major | 1 | 8B | 171 BPM | ||
| No More Reds in the Union | Utah Phillips | B♭ Major | 4 | 6B | 63 BPM | ||
| Jim Jones of Botany Bay | Brodie Buttons | E♭ Minor | 3 | 2A | 106 BPM | ||
| Officer Norris | Blaze Foley | B Major | 2 | 1B | 130 BPM | ||
| Come be the fire | WizVieve II | A Major | 1 | 11B | 101 BPM | ||
| Coon Hollow Capers | Mikha Violin | B♭ Major | 3 | 6B | 109 BPM | ||
| Every Day Is Three | Tim Eriksen | B♭ Major | 1 | 6B | 134 BPM | ||
| Intro- The Life of Mary Harris "Mother Jones" | U. Utah Phillips, Rosalie Sorrels | E Major | 1 | 12B | 151 BPM | ||
| The Charge on Mother Jones | U. Utah Phillips, Rosalie Sorrels | E Major | 1 | 12B | 151 BPM | ||
| The Lost Mine of the Chisos | Bill Staines | B♭ Minor | 1 | 3A | 101 BPM | ||
| End of the Bargain | Josh Fortenbery | F Major | 3 | 7B | 119 BPM |