Rajkishan Agwanpuriya's ' "Dekhya Chander Kiran Ka Mahal" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 5 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Dekhya Chander Kiran Ka Mahal's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Dekhya Chander Kiran Ka Mahal by Rajkishan Agwanpuriya to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Je Banawal U Pagale Nu Hoi | Golu Raja | A Major | 4 | 11B | 120 BPM | ||
| Haath Jod Kar Ram Ram Le | Shri Bansi Jogi | F♯ Major | 5 | 2B | 82 BPM | ||
| Anand Sahib - Bhai Jagpal Singh Ji (Kanpuri) | Kirtan Fi | E♭ Major | 8 | 5B | 141 BPM | ||
| Karke Kha Le Le Ke De De | Master Satbeer Singh | A♭ Major | 6 | 4B | 116 BPM | ||
| Ranj Fikar Mein Aadhi Hogi | Ranbir Singh Badhwasniyan | E Minor | 3 | 9A | 115 BPM | ||
| Guru Ravidas Ji Ke | Golu Raja | G Minor | 7 | 6A | 152 BPM | ||
| He Mahakalike Mate Bhuvaneshwari | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| Ludkat Aa Rai Gend Khelat Aa Ray Kanhaiya | Jitendra Khare, Laxmi | E Major | 8 | 12B | 126 BPM | ||
| Jab Naukari Na Mile Jawani Mein Ta Kud Pada Pardhani Mein | Samar Singh, Kavita Yadav | E♭ Minor | 9 | 2A | 133 BPM | ||
| Re Batan Aali Manne Bhi Diye | Rajender Kharkiya | B Major | 9 | 1B | 169 BPM | ||
| Jekar Bhail Ba Viyah | Samar Singh | D Minor | 9 | 7A | 127 BPM | ||
| Baba Ji Aadesh Pukaro | Gajender Phogat | G Major | 9 | 9B | 140 BPM | ||
| mai haryane ka chora | Bali Sharma | B♭ Major | 4 | 6B | 152 BPM | ||
| Hum Aaye Maharaj Jotram | Sumit Kalanaur | F Major | 9 | 7B | 140 BPM | ||
| Taar Bijli Se Patle Hamare Piya | Usha Shastri | A Major | 9 | 11B | 114 BPM | ||
| Salasar Dham Parbhat Bhog (Kalewa) | Salasar Balaji, Pujari Pariwar | B♭ Major | 4 | 6B | 85 BPM | ||
| Sar Pe Tere Ahsan | Koshinder Khadana, Rishipal | A♭ Minor | 4 | 1A | 79 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Main Margi To Mere Bachcho Ne | Rajendra Singh Kharkiya, Madhu Sharma | C Major | 6 | 8B | 123 BPM | ||
| Sheva Karat Lugai Ki | Soniya Studio | F Minor | 8 | 4A | 138 BPM | ||
| Budhawa Ne Kiya Chakka Se Shaadi | Tamanna Yadav, Sonu Rajbhar, Omkar Prince | B Major | 7 | 1B | 108 BPM | ||
| Jajam Bichh Gaye Panch Baith Gaye | Preeti Choudhary Jhunjhunu | G Major | 4 | 9B | 128 BPM | ||
| Gudgame Aali Ri Masani Aaiye Jot Pe | Mukesh Sharma | B Major | 9 | 1B | 106 BPM | ||
| Rani Gaye Sharat Main Haar | Rajkishan Agwanpuriya | B Major | 7 | 1B | 109 BPM | ||
| Baint- Sikh Dhadhi | Dhadhi Jathan | F♯ Major | 7 | 2B | 81 BPM |