Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 9. Grave e sempre molto espressivo' had a release date set for January 1, 1999. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 9. Grave e sempre molto espressivo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 9. Grave e sempre molto espressivo by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade in A Minor | Imre Széchényi, György Lázár, Istvan Kassai | F Minor | 1 | 4A | 112 BPM | ||
| Brahms: 7 Fantasies, Op. 116: No. 3, Capriccio in G Minor | Johannes Brahms, Piotr Anderszewski | D Major | 0 | 10B | 97 BPM | ||
| Studies on Chopin's Etudes: No. 26 in F Minor on Etude, Op. 25 No. 2 (1st Version) | Leopold Godowsky, Marc-André Hamelin | E Major | 1 | 12B | 67 BPM | ||
| Six "Morceaux" in G Minor: Melancholie, Op. 51 No. 1 - Welte-Mignon 2592 | Anton Rubinstein, Fannie Bloomfield Zeisler, Peter Phillips | E Minor | 2 | 9A | 137 BPM | ||
| Three Sketches. Serenade No.2 - Duo-Art 5772 | Gerhard Frommel, Alexander Raab, Peter Phillips | D Major | 0 | 10B | 97 BPM | ||
| Prelude No. 20 in C Minor, Op. 28 No. 20 | Rogerio Tutti | A♭ Major | 0 | 4B | 82 BPM | ||
| Ecossaises (Scottish Dances) Op. 72, Selections - Duo-Art 5782 | Frédéric Chopin, Alberto Jonás, Peter Phillips | D Major | 1 | 10B | 113 BPM | ||
| Schumann : Kinderszenen Op.15, no.1. Von fremden Landern und Menschen | Yumeka Nakagawa | G Major | 0 | 9B | 82 BPM | ||
| Elegia | Aldo Melli, Carlo Balzaretti | A Major | 1 | 11B | 133 BPM | ||
| Chopin: 24 Préludes, Op. 28: No. 21 in B-Flat Major | Frédéric Chopin, Eric Lu | A♭ Major | 1 | 4B | 63 BPM | ||
| Murmuring Zephyrs. (Murmelndes Luftchen) Op. 21, No.4 - Duo-Art 6172 | Adolf Jensen, Rudolph Ganz, Peter Phillips | F♯ Major | 1 | 2B | 71 BPM | ||
| Arioso with 9 Variations in C Major, H. 259: Var. 7 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
| Extasy - Duo-Art 71128 | Alvin Wiggers, Lawrence Goodman, Peter Phillips | D♭ Major | 2 | 3B | 97 BPM | ||
| Lieder ohne Worte - Live Recording | Felix Mendelssohn, Carlo Balzaretti | A Major | 0 | 11B | 169 BPM | ||
| Nocturne No. 5 in B-Flat Major, Op. 37 - Excerpt | Gabriel Fauré, Kathryn Stott | G Major | 1 | 9B | 71 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 3, La persuasion | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Valses nobles, D. 969 | Franz Schubert, Daniel Barenboim | D Major | 0 | 10B | 97 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor - Largo | Frédéric Chopin, Mao Fujita | A♭ Major | 0 | 4B | 77 BPM | ||
| Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 | Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips | E Major | 0 | 12B | 74 BPM | ||
| Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | ||
| Elegy No. 1 in F Minor | Milenna Jovic | F Major | 1 | 7B | 77 BPM | ||
| 12 Studies for Piano, Op. 46: VII. To Induce Lateral Freedom of Hand and Arm | York Bowen, Nicolas Namoradze | F Major | 0 | 7B | 83 BPM | ||
| Freie Fantasie fürs Clavier in F-Sharp Minor, H. 300: VI. Adagio | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
| Fantasia in C Major, H. 291: II. Andante | Carl Philipp Emanuel Bach, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
| Tales "Skazki", Op. 8: II. Allegro | Nikolai Medtner, Marc-André Hamelin | F Minor | 2 | 4A | 116 BPM |