Rajesh Pawar's 'Dil Ki Sadaa' had a release date set for January 1, 2025. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Dil Ki Sadaa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajesh Pawar's "Khwaabon Ke Dhaage" album is number 6 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Dil Ki Sadaa is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dil Ki Sadaa by Rajesh Pawar to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bole Mera Satguru Amritwani | Chotu Singh Rawna | A Major | 7 | 11B | 172 BPM | ||
| Badshahitalya Tya Mukutatla | Milind Shinde | G Major | 4 | 9B | 87 BPM | ||
| Sampurana Ramayan, Pt. 10 - Balkand | Ravindra Jain | C Minor | 6 | 5A | 107 BPM | ||
| God's Awesome Power | Veer Manpreet Singh | A♭ Minor | 1 | 1A | 150 BPM | ||
| Dheero Rado Dheero | Narendra Singh Negi, Anuradha Nirala, Meena Rana | B Minor | 3 | 10A | 175 BPM | ||
| Shree Ganesh Vandana | Mannraj Parihar | G Major | 7 | 9B | 134 BPM | ||
| Parbhu Aajao Akbar | Anju Sharma | E♭ Major | 5 | 5B | 84 BPM | ||
| Aankhyan Meech Ke - Shyam Bhajan | Arvind Sahal | A♭ Major | 5 | 4B | 134 BPM | ||
| Jag Mein Kaun Bada Hai Prani | Anup Jalota | F♯ Major | 5 | 2B | 74 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Allah Malik Haie | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Raat Ki Awaaz | Rajesh Pawar | C Major | 3 | 8B | 88 BPM | ||
| Jeevan Denara He Swami | Toronto Rhythm | D Major | 6 | 10B | 172 BPM | ||
| Kirtan Karo Jawani Mein | Devendra Pathak | B Minor | 8 | 10A | 80 BPM | ||
| Khelat Basant Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Dhanya Dhanya Ti Saileela Haay | Sai bhakti, Rajesh Ranshur | E Major | 9 | 12B | 110 BPM | ||
| Lekar Ye Murad Ham Chamunda Aaye | Anksha, Rajesh Pawar, Shrdha Virkar, Prakash Chouhan | F♯ Major | 5 | 2B | 172 BPM | ||
| Hari - Hari Dubhiya (Chumawan) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Chutkibhar Sindoor | Prasanna Shanbhag, Pranav Haridas, Hrishikesh Ranade | B Major | 5 | 1B | 87 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Batoi Rey | Kishan Mahipal | D Major | 8 | 10B | 141 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM |