CAELIS BABYLON's ' "Departure Gate 17" was released on its scheduled release date, November 29, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Echoes of What We Couldn’t Say by CAELIS BABYLON. Based on our statistics, Departure Gate 17's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Departure Gate 17 by CAELIS BABYLON is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Talk Like I’m Already Gone | Warn Torn | D Minor | 6 | 7A | 91 BPM | ||
| Three Became Two | CAELIS BABYLON | E Minor | 4 | 9A | 156 BPM | ||
| Letting You Go Hurts the Most | Johnny Rucker | E♭ Major | 2 | 5B | 71 BPM | ||
| Track 1 | Nick Kingswell | A Major | 2 | 11B | 152 BPM | ||
| Time Keeps Rolling | The King's Blues Club | E♭ Major | 2 | 5B | 71 BPM | ||
| Whiskey Shadows | Chicago Blues Radio | G Minor | 3 | 6A | 168 BPM | ||
| Because I Loved You | CAELIS BABYLON | A♭ Minor | 6 | 1A | 171 BPM | ||
| Some Kind Of Magic | Kahona | D Minor | 5 | 7A | 87 BPM | ||
| Isaiah 52.7 — How Beautiful Are the Feet | Holy Groove | A♭ Major | 1 | 4B | 109 BPM | ||
| The Quiet Before | Gentleman Dark Blue | A♭ Minor | 3 | 1A | 180 BPM | ||
| Everblue | Sash Seabourne | D Major | 5 | 10B | 76 BPM | ||
| Got Your Letter Today | Phillip LaRue | E♭ Major | 2 | 5B | 71 BPM | ||
| The Melody She Hummed | CAELIS BABYLON | E Minor | 3 | 9A | 119 BPM | ||
| I’m Hollow | Bleeding Strings | D Major | 3 | 10B | 118 BPM | ||
| Trying To Be Better | Jimmy Woods | G Major | 2 | 9B | 74 BPM | ||
| Nights | Max City | A♭ Major | 4 | 4B | 146 BPM | ||
| Unite the Hearts | Tom Francis | C Major | 2 | 8B | 133 BPM | ||
| Trenches of the Unseen | Avery Johnson | B♭ Major | 2 | 6B | 126 BPM | ||
| The Forgotten Birthday | CAELIS BABYLON | A Minor | 4 | 8A | 152 BPM | ||
| Fading Lights | DB Villains | D♭ Major | 3 | 3B | 79 BPM | ||
| The Hills | CJ Starnes | E♭ Major | 2 | 5B | 71 BPM | ||
| King Midas | Swell Scenic, Michael Shynes | F Major | 2 | 7B | 115 BPM | ||
| The Beautiful Lie | Bleeding Strings | E Minor | 2 | 9A | 183 BPM | ||
| Among Lions | Christian Paramedic | D Minor | 4 | 7A | 148 BPM | ||
| Cooked for Two | Black River Whiskey | E♭ Major | 2 | 5B | 71 BPM |