Mario Lanza's 'Come Back To Sorrento' had a release date set for March 13, 2012. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Come Back To Sorrento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera Legacy". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. The popularity of Come Back To Sorrento is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come Back To Sorrento by Mario Lanza having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Edelweiss | Vince Hill | B Major | 4 | 1B | 125 BPM | ||
| Let Me Go Lover | Ruby Murray | A♭ Major | 2 | 4B | 74 BPM | ||
| When You & I Were Young, Maggie | John McCormack | A Major | 1 | 11B | 78 BPM | ||
| Go On Laugh, Little Girl - Tu t'amuses / English Version | Charles Aznavour | E♭ Major | 5 | 5B | 112 BPM | ||
| So in Love | Howard Keel, Kathryn Grayson, MGM Studio Orchestra | A Major | 2 | 11B | 141 BPM | ||
| I'm Walking Behind You | Eddie Fisher | D Major | 1 | 10B | 86 BPM | ||
| Morning Has Broken | Finbar Wright | D Major | 2 | 10B | 83 BPM | ||
| How Are Things in Glocca Morra | John Gary | E♭ Major | 3 | 5B | 82 BPM | ||
| And I Love You So | Howard Keel | G Major | 2 | 9B | 80 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Here In My Heart | Al Martino | C Major | 3 | 8B | 130 BPM | ||
| My Heart Stood Still - Remastered | Mario Lanza | B♭ Major | 3 | 6B | 71 BPM | ||
| I Still See Elisa (from "Paint Your Wagon") | The Paul Masters Orchestra | C Major | 0 | 8B | 84 BPM | ||
| Cindy Oh Cindy | Eddie Fisher | A Minor | 3 | 8A | 79 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
| 時の過ぎゆくまま | アンディ・ウィリアムス | C Major | 2 | 8B | 176 BPM | ||
| Stolz: Wild Violets, Act 2: "Wine in Our Glasses" (Paul, Chorus) | Robert Stolz, Michael Collins, Kevin Scott, Rita Williams Singers, Michael Collins Orchestra | A Major | 0 | 11B | 115 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Romantica | Jane Morgan | A Minor | 3 | 8A | 79 BPM | ||
| Panis Angelicus | Franco Corelli | A Minor | 3 | 8A | 79 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Hello Young Lovers | Anita Bryant | A♭ Major | 2 | 4B | 75 BPM | ||
| I'll See You Again | Noel Coward | A Minor | 3 | 8A | 79 BPM | ||
| Remember Me | Red Hurley | A Major | 2 | 11B | 87 BPM | ||
| Torna a Surriento | Beniamino Gigli | A Minor | 3 | 8A | 79 BPM |