John Ireland, Samuel Crossman's 'My Song Is Love Unknown' had a release date set for May 1, 2012. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Journeysongs Third Edition: Volume 12" album is number 6 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, My Song Is Love Unknown is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of My Song Is Love Unknown by John Ireland, Samuel Crossman to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mother Of God, Here I Stand | John Tavener, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 68 BPM | ||
| Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| Sea Fever | John Ireland, Roderick Williams, Iain Burnside | E Minor | 1 | 9A | 112 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | B♭ Minor | 0 | 3A | 90 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| Greater love hath no man | John Ireland, Catherine Shaw, Laurens Macklon, The Choir of Sidney Sussex College, Cambridge, Anita Datta, Rachel Haworth, David Skinner | B♭ Major | 1 | 6B | 82 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Vespers, Op. 37: XIV. "Voskrez iz groba" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | D Major | 0 | 10B | 104 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| How lovely is Thy dwelling place | Johannes Brahms, Roger Judd, The Choir of St George's Chapel, Windsor Castle, Timothy Byram-Wigfield | A Major | 2 | 11B | 129 BPM | ||
| If There Were Dreams To Sell (Thomas Lovell Beddoes) | John Ireland, Sarah Walker, Roger Vignoles | D♭ Major | 0 | 3B | 99 BPM | ||
| Vespers, Op. 37: VI. Hail, Theotokos Virgin | Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | E Major | 0 | 12B | 77 BPM | ||
| Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
| My song is love unknown | John Ireland, Gloucester Cathedral Choir, Worcester Cathedral Choir, Hereford Cathedral Choir | A♭ Major | 3 | 4B | 120 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM |