Walter S. Hartley, Pastiche's '2 Dances for Trumpet, Clarinet and Piano: No. 1, Rag Tango' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 2 Dances for Trumpet, Clarinet and Piano: No. 1, Rag Tango's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Pastiche". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, 2 Dances for Trumpet, Clarinet and Piano: No. 1, Rag Tango's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 2 Dances for Trumpet, Clarinet and Piano: No. 1, Rag Tango by Walter S. Hartley, Pastiche having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| サクソフォン・ソナタ Op. 19 I. With vigor | Paul Creston, Kohei Ueno | A♭ Minor | 2 | 1A | 131 BPM | ||
| On the Shoulders of Giants: III. Fantasie brillante | Peter Graham, Black Dyke Band, Nicholas Childs | D♭ Major | 1 | 3B | 138 BPM | ||
| Six Pieces: No. 4, Dancers | Nikolai Nikolayevich Tcherepnin, Deutsches Horn Ensemble | F Major | 0 | 7B | 80 BPM | ||
| Sonata for Trumpet and Piano: 1. Lento: Allegro Molto | Eric Ewazen, Joseph Foley, Bonnie Anderson | B Major | 1 | 1B | 132 BPM | ||
| Ich steh mit einem Füß im Grabe, BWV 156: Arioso - Arr. By Enrique Crespo | Johann Sebastian Bach, German Brass | C Major | 9 | 8B | 172 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | F♯ Major | 1 | 2B | 72 BPM | ||
| Concerto for Wind Ensemble: II. Riff | Kevin Day, ASU Wind Ensemble, Jason Caslor | G Minor | 5 | 6A | 75 BPM | ||
| Art of the Fugue, BWV 1080 (Arr. A. Frackenpohl for Brass Quintet): Contrapunctus IX | Johann Sebastian Bach, Canadian Brass | D Minor | 1 | 7A | 168 BPM | ||
| Lyric Suite: I. Prelude | Walter S. Hartley, Paul Cohen, Richard Auldon Clark, Lois Anderson | A♭ Major | 1 | 4B | 116 BPM | ||
| Quintet for Saxophones: I. Lento misterioso | Walter S. Hartley, David Carpenter, Eric Maine, Iris Pechenik, Maxime Luck, Christopher Jabot | E Major | 0 | 12B | 72 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | E♭ Major | 1 | 5B | 130 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | G Major | 0 | 9B | 65 BPM | ||
| II. Allegretto grazioso | Walter S. Hartley, David Zerkel, Anatoly Sheludyakov | E♭ Major | 0 | 5B | 180 BPM | ||
| Anders Högstedt: A Night At The Opera III | Anders Högstedt, Axiom Brass, Christian Lindberg | C Minor | 0 | 5A | 70 BPM | ||
| Only Light | Aaron Perrine, University of Kansas Wind Ensemble, Paul Popiel | B♭ Major | 2 | 6B | 73 BPM | ||
| タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
| T-bone Concerto: III. Well Done | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | C Major | 3 | 8B | 123 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Blind Spot | Epic Euphoniums Project, Gilles Rocha, Michal Worek | B♭ Major | 1 | 6B | 145 BPM | ||
| Serenade for Saxophones: I. Pastorale. Allegretto | Walter S. Hartley, David Carpenter, Iris Pechenik, Robert Taylor, Robert Righthand, Joshua Barrow, Christopher Jabot | A♭ Major | 1 | 4B | 116 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
| Light of Sothis: I. Grace | Amy Quate, Alex Mitchell, Jeremy Limb | C Major | 1 | 8B | 108 BPM | ||
| Six Studies in English Folksong | Gene Pokorny | E♭ Major | 0 | 5B | 70 BPM |