On 1988, the song "Lovin' All Night" was released by Rodney Crowell. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rodney Crowell's "Greatest Hits" album is number 1 out of 12. The popularity of Lovin' All Night is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lovin' All Night by Rodney Crowell to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angel Flight | Darden Smith | E Major | 5 | 12B | 127 BPM | ||
| Goin' Home | Malcolm Holcombe | A♭ Major | 6 | 4B | 143 BPM | ||
| Live Forever | Billy Joe Shaver | A Major | 3 | 11B | 89 BPM | ||
| Telephone Road | Rodney Crowell | A♭ Minor | 7 | 1A | 131 BPM | ||
| Can't Help but Wonder Where I'm Bound | Nanci Griffith | A Major | 5 | 11B | 86 BPM | ||
| Where Are You Going When You're Gone | Greg Brown | C Major | 5 | 8B | 143 BPM | ||
| Panhead | Otis Gibbs | G Major | 4 | 9B | 108 BPM | ||
| Visions Of Johanna | Chris Smither | A Major | 3 | 11B | 96 BPM | ||
| Private Thoughts | Chip Taylor, Carrie Rodriguez | C Major | 2 | 8B | 95 BPM | ||
| Slow Surprise | Chris Smither | B Minor | 3 | 10A | 83 BPM | ||
| Drop In A Bucket | Mary Gauthier | A Major | 4 | 11B | 159 BPM | ||
| Snowin' on Raton | Gretchen Peters | E Major | 2 | 12B | 137 BPM | ||
| Let's Get Drunk | The Honeycutters | B Major | 9 | 1B | 168 BPM | ||
| Down to Seeds and Stems Again | Bill Kirchen | G Major | 6 | 9B | 116 BPM | ||
| House of Stone | Mudcrutch | E Major | 4 | 12B | 121 BPM | ||
| Karla Faye | Mary Gauthier | E♭ Major | 2 | 5B | 136 BPM | ||
| Long Way Back Again | Peter Wolf | G Major | 4 | 9B | 103 BPM | ||
| More and More, Less and Less | Delbert McClinton & Glen Clark | E Major | 9 | 12B | 107 BPM | ||
| Don't Know What I Was Thinking | Teddy Thompson | D Major | 6 | 10B | 127 BPM | ||
| Angeleno | Sam Outlaw | D Major | 4 | 10B | 114 BPM | ||
| Every Time You Leave | Shelby Lynne, Allison Moorer | E Major | 4 | 12B | 178 BPM | ||
| Here in California | Dave Alvin | A Major | 4 | 11B | 146 BPM | ||
| Train to Birmingham | Kevin Welch | E Major | 1 | 12B | 145 BPM | ||
| Tell Me Anything (Turn to Gold) | Chuck Prophet | G Minor | 9 | 6A | 123 BPM | ||
| I'll Be Your Baby Tonight | Andy Fairweather Low, The Lowriders | G Major | 5 | 9B | 133 BPM |