Bijli Rani's ' "Humse Humar Piya" was released on its scheduled release date, April 1, 1994. This song is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Khaal Jilebi Rasdar Ba" album is number 7 out of 11. On top of that, India appears to be the country where this track was created. Humse Humar Piya is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Humse Humar Piya by Bijli Rani to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| Joda Shaalik Dekha Bhaal | Parikshit Bala | A Minor | 6 | 8A | 172 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Yaari Chiniyo Vanjheen Muhnjo | Haider Rind | D Minor | 6 | 7A | 133 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Saath Go Swaad Ba | Bijli Rani | D♭ Major | 5 | 3B | 131 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Chirai Man Ud Jaihain | Radhe Shyam Rasiya | C Major | 10 | 8B | 96 BPM | ||
| Panghat Pe Radha Nache | Bijli Rani, Rekha Rani | A Major | 9 | 11B | 115 BPM | ||
| Anbolani Hoge Guiya | Ratan Sabiha | F Major | 6 | 7B | 153 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Paakava Inaarava Na A Batohni | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | E Major | 9 | 12B | 113 BPM | ||
| Lale Rang Sadiya Shobhe | Pandit Gaurangi Gauri Ji | F Minor | 8 | 4A | 133 BPM | ||
| Sasura Se Rusali Teeriawa | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Kanche Badna Kanche Mokor | Ranjit Mahto | B♭ Minor | 8 | 3A | 116 BPM | ||
| Maiya He Suniyau Hamro Bipatiya | Dilip Darbhangiya | E Major | 7 | 12B | 190 BPM | ||
| swami paine pache narka ku jibi new odia jatra song super hit | Adha Ratira Sathi new odia jatra song | F♯ Major | 6 | 2B | 160 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Deva Ho Deva Oh Saibaba | Paras Jain | E♭ Minor | 6 | 2A | 98 BPM | ||
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM |